Leonard Bernstein, Sir Simon Rattle, Audra McDonald, Kim Criswell, Birmingham Contemporary Music Group's 'Bernstein: Wonderful Town, Act 1: "Ohio" (Ruth, Eileen)' had a release date set for January 1, 1999. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 20 in Bernstein: Wonderful Town by Leonard Bernstein, Sir Simon Rattle, Birmingham Contemporary Music Group. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bernstein: Wonderful Town, Act 1: "Ohio" (Ruth, Eileen)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bernstein: Wonderful Town, Act 1: "Ohio" (Ruth, Eileen) by Leonard Bernstein, Sir Simon Rattle, Audra McDonald, Kim Criswell, Birmingham Contemporary Music Group is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| West Side Story: Act I: Prologue | Leonard Bernstein, West Side Story Orchestra, Johnny Green | F Major | 5 | 7B | 135 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Symphony No. 4 in F Minor: III. Scherzo. Allegro molto | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 59 BPM | ||
| Symphony No. 4 in F Minor: IVb. Epilogo fugato | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | B♭ Major | 0 | 6B | 131 BPM | ||
| Enigma Variations, Op. 36: Var. 5. Moderato "R.P.A." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
| Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
| Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 73 BPM | ||
| Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
| Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
| Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: III. Largo - 2017 Remastered Version | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 64 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | G Minor | 2 | 6A | 139 BPM | ||
| Symphony No. 35 in D Major, K. 385 "Haffner": I. Allegro con spirito - Live | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | D Major | 2 | 10B | 143 BPM | ||
| Mass: No. 1, Antiphon. Kyrie eleison | Leonard Bernstein, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 5 | 3B | 128 BPM | ||
| Tristan und Isolde, Act I: Prelude | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | A Major | 1 | 11B | 82 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
| Symphony No. 1 in E Minor: IV. Finale. Presto | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | E Minor | 1 | 9A | 76 BPM | ||
| Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Carmen Suite No. 1: Aragonaise. Allegro vivo (Prelude to Act IV) - 2017 Remastered Version | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Minor | 2 | 6A | 113 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III) - 2017 Remastered Version | Georges Bizet, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 137 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM |