"H.M.S. Pinafore, Act I: Introduction and Opening Chorus. We Sail the Ocean Blue" by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus had its release date on October 25, 1994. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. H.M.S. Pinafore, Act I: Introduction and Opening Chorus. We Sail the Ocean Blue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, Welsh National Opera Chorus, Welsh National Opera Orchestra, Sir Charles Mackerras, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan's "Gilbert & Sullivan: H.M.S. Pinafore" album is number 2 out of 27. On top of that, United States appears to be the country where this track was created. In terms of popularity, H.M.S. Pinafore, Act I: Introduction and Opening Chorus. We Sail the Ocean Blue is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of H.M.S. Pinafore, Act I: Introduction and Opening Chorus. We Sail the Ocean Blue by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sullivan: The Mikado or The Town of Titipu, Act 1: No. 1, Chorus, "If you want to know who we are" (Nobles) | Arthur Sullivan, Glyndebourne Chorus, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 3 | 9B | 112 BPM | ||
| Peter Grimes, Op. 33 / Act 1: "I Have To Go From Pub To Pub" | Benjamin Britten, David Kelly, Claire Watson, Geraint Evans, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | D♭ Major | 1 | 3B | 137 BPM | ||
| 22. Now for the pirates lair! | Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams | D♭ Major | 1 | 3B | 89 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
| Vittoria, mio core! | Giacomo Carissimi, Ramón Vargas | D Major | 2 | 10B | 86 BPM | ||
| 46. Luiz! Casilda! | Arthur Sullivan, Jennifer Toye, Mary Sansom, Joyce Wright, Gillian Knight, Thomas Round, Jeffrey Skitch, Alan Styler, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | D♭ Major | 1 | 3B | 78 BPM | ||
| Misatango, Misa a Buenos Aires: V. Quoniam tu solus sanctus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Major | 3 | 8B | 89 BPM | ||
| Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | ||
| Songs of Travel: Bright is the ring of words | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | C Major | 1 | 8B | 80 BPM | ||
| Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers | B♭ Major | 1 | 6B | 107 BPM | ||
| Rossini: Guillaume Tell, Act 1: "Quel jour serein le ciel présage !" (Chœur) | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 98 BPM | ||
| H.M.S. Pinafore, Act I: When I Was a Lad | Gilbert & Sullivan Society of Houston | B♭ Major | 4 | 6B | 109 BPM | ||
| Onward Christian Soldiers | Sabine Baring-Gould, Arthur Sullivan, Salisbury Cathedral Choir, Simon Lole | E♭ Major | 2 | 5B | 170 BPM | ||
| Sea Fever | John Ireland, Roderick Williams, Iain Burnside | E Minor | 1 | 9A | 112 BPM | ||
| We'll Gather Lilacs | Harry Secombe, Moira Anderson | F♯ Major | 3 | 2B | 104 BPM | ||
| I Was Glad (Arr. Rutter) | Hubert Parry, Fanfare Trumpeters Of The Royal Air Force, Wing Commander Piers Morrell, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, The King’s Scholars of Westminster School, Tim Garrard, Coronation Orchestra, Antonio Pappano, Peter Holder | B♭ Major | 2 | 6B | 69 BPM | ||
| Già il sole dal Gange | Alessandro Scarlatti, Ramón Vargas | A Major | 2 | 11B | 75 BPM | ||
| Careless With the Truth | Debbie Gravitte | B♭ Major | 1 | 6B | 105 BPM | ||
| The Ballad of Baby Doe / Act 1: Willow, where we met together | Douglas Moore, Beverly Sills, New York City Opera Orchestra, Emerson Buckley | B♭ Major | 1 | 6B | 117 BPM |