- BPM
- 116
- Key
- D Minor
- Camelot
- 7A
25 Préludes: No. 7 in E Minor by Amanda Rontgen-Maier, Bengt Forsberg Song Details
Amanda Rontgen-Maier, Bengt Forsberg's ' "25 Préludes: No. 7 in E Minor" was released on its scheduled release date, June 15, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 12 out of 69 in Amanda Maier: Complete Works by Amanda Rontgen-Maier, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, 25 Préludes: No. 7 in E Minor is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
The tempo marking of 25 Préludes: No. 7 in E Minor by Amanda Rontgen-Maier, Bengt Forsberg is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -33.108 dB
- Acousticness
- 100%
- Danceability
- 36%
- Energy
- 2%
- Instrumentalness
- 76%
- Liveness
- 13%
- Loudness
- 45%
- Speechiness
- 6%
- Valence
- 65%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Consolation | Alain Lefèvre | D Major | 1 | 10B | 169 BPM | |
 | Zwiegespräche (Excerpts): No. 10, Allegro molto vivace | Amanda Rontgen-Maier, Bengt Forsberg | D Major | 1 | 10B | 77 BPM | |
 | Valse mélancolique | Vladimir Rebikov, Gabriele Bagnati | F Major | 0 | 7B | 173 BPM | |
 | Piano Sonata in C Minor: II. Andante con moto | Fanny Mendelssohn, Heather Schmidt | E♭ Major | 1 | 5B | 79 BPM | |
 | Die tote Stadt, Op. 12: Glück, das mir verblieb "Mariettas Lied" (Perf. on Violin) | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | B♭ Major | 2 | 6B | 91 BPM | |
 | Anemos | Olivia Belli, Chris Worsey | G Minor | 0 | 6A | 85 BPM | |
 | Era de maggio (Arr. for Violin & Piano by Tim Allhoff) | Pasquale Mario Costa, Andrea Cicalese, Tim Allhoff | D Minor | 2 | 7A | 73 BPM | |
 | Variations on a Rococo Theme, Op. 33: Var. 5 - Allegro moderato - Cadenza | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | B♭ Minor | 4 | 3A | 93 BPM | |
 | Concerto for Violin and Orchestra (To the memory of my mother): I. Lento, ma non troppo | Ina Boyle, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | A Minor | 2 | 8A | 80 BPM | |
 | Tàmâr Mĕtūshelāḥ | Olivia Belli, Gautier Capuçon | D Major | 1 | 10B | 80 BPM | |
 | Lieder ohne Worte V, Op. 62: VI. Allegretto grazioso, MWV U161 "Spring Song" | Felix Mendelssohn, Lang Lang | A♭ Major | 1 | 4B | 106 BPM | |
 | Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM | |
 | Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Deutsches Symphonie-Orchester Berlin, Nicolò Umberto Foron | A Major | 1 | 11B | 72 BPM | |
 | Nocturne No. 12 in E Major, H. 13 “Nocturne Caractéristique: Noontide” | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | |
 | Die stumme Serenade, Op. 36: No. 23, Ohne Dich (Transcr. Sonnenmoser for Violin & Piano) | Erich Wolfgang Korngold, Bomsori, Thomas Hoppe | D Major | 2 | 10B | 89 BPM | |
| Swedish Tunes & Dances: No. 4, Allegro | Amanda Rontgen-Maier, Julius Röntgen, Gregory Maytan, Ann-Sofi Klingberg | D Major | 2 | 10B | 120 BPM | |
 | 3 Compositions for Violin and Piano, Op. 40: No. 1, La Captive | Amy Beach, Alessandro Clerici, Elena Brunello | A Minor | 0 | 8A | 79 BPM | |
 | The New Four Seasons - Spring: II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | D♭ Minor | 3 | 12A | 95 BPM | |
 | Langsamer Satz | Anton Webern, Leonkoro Quartet | B Minor | 0 | 10A | 133 BPM | |
 | Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | |
 | Concerto for Violin, Strings and Continuo in A Minor, TWV 51:a1: III. Presto | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 3 | 3B | 140 BPM | |
 | Élégie in E-Flat Minor | Sergei Rachmaninoff, Alexander Malofeev | E♭ Minor | 0 | 2A | 80 BPM | |
 | Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | |
 | 12 Danzas españolas, Op. 37, H. 142: No. 2, Oriental (Arr. for Violin & Piano by Anonymous) | Enrique Granados, Janna Gandelman, Laia Martín | C Minor | 1 | 5A | 89 BPM | |
| Nocturne No. 9 in E Minor, H. 46 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM |
- ISRC
- SETSA1919349
- Label
- L-M Records/RCA Records