"For The Cars" by Trevor Rabin had its release date on January 1, 2000. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Trevor Rabin's "Gone In 60 Seconds (Original Motion Picture Score)" album is number 7 out of 15. On top of that, United States appears to be the country where this track was created. The popularity of For The Cars is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of For The Cars by Trevor Rabin to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sarah Connor's Theme | Bear McCreary | D Minor | 3 | 7A | 140 BPM | ||
| That's A Nice Day | Nick Glennie-Smith | F Minor | 2 | 4A | 87 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| Fury Drives Into Camp | Steven Price | G Minor | 4 | 6A | 90 BPM | ||
| Ricky Leaves | Atli Örvarsson | F Major | 1 | 7B | 136 BPM | ||
| Underwater Simulation | Trevor Rabin | B Minor | 1 | 10A | 78 BPM | ||
| Demands | Trevor Rabin | A Major | 3 | 11B | 111 BPM | ||
| Team | Andrew Lockington | A Major | 2 | 11B | 82 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM | ||
| Back In The Ground | Tyler Bates, Joel J. Richard | C Major | 4 | 8B | 89 BPM | ||
| Shawshank Prison - Stoic Theme | Thomas Newman | G Minor | 1 | 6A | 81 BPM | ||
| Ultramarine | Michael Brook | B♭ Minor | 4 | 3A | 137 BPM | ||
| Marshall Motors | Nathan Furst | E♭ Major | 1 | 5B | 68 BPM | ||
| Into The Steel Mill - Remastered 2017 | Brad Fiedel | D Major | 5 | 10B | 141 BPM | ||
| Into The River | David Newman | D Major | 0 | 10B | 70 BPM | ||
| Hoffnung am Ende der Welt | Stephan Zacharias | D Minor | 1 | 7A | 84 BPM | ||
| Hattie | Mychael Danna | F Minor | 1 | 4A | 68 BPM | ||
| The War Machine | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Back Together | Mark Mothersbaugh | B Minor | 3 | 10A | 90 BPM | ||
| Jack's Death | Nick Glennie-Smith | E♭ Minor | 2 | 2A | 74 BPM | ||
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
| Burning Books | Harald Kloser | E Minor | 0 | 9A | 111 BPM | ||
| Engle's Legacy | Nathan Furst | F Major | 1 | 7B | 69 BPM | ||
| Swat Team Attack - Remastered 2017 | Brad Fiedel | A♭ Major | 7 | 4B | 179 BPM | ||
| Kingdom of Atlantis (feat. Glen Nichols) | Rupert Gregson-Williams, Glen Nichols | C Minor | 4 | 5A | 110 BPM |