"Gawain, Act I (1994 Revised Version): Tableau Va. Winter II. Day [Live]" by Harrison Birtwistle, Royal Opera Chorus, Orchestra Of The Royal Opera House, Elgar Howarth had its release date on August 5, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 29 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Gawain, Act I (1994 Revised Version): Tableau Va. Winter II. Day [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gawain, Act I (1994 Revised Version): Tableau Va. Winter II. Day [Live] by Harrison Birtwistle, Royal Opera Chorus, Orchestra Of The Royal Opera House, Elgar Howarth to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Göreme: II. The Abyss - Live performance on May 20, 2010 | Markku Klami, Patrik Kleemola | D Minor | 0 | 7A | 66 BPM | ||
| Schubert's "Winterreise": No. 15, Die Krähe | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | D♭ Major | 2 | 3B | 93 BPM | ||
| 12 Nocturnes: No. 10, 304 Sterne in einem kleinen Fenster | Bent Sørensen, Katrine Gislinge | D♭ Major | 2 | 3B | 93 BPM | ||
| The Soldier's Tale, Pt. 1: II. Music for Scene 1. Airs by a Stream | Igor Stravinsky, George Benjamin, Harrison Birtwistle, Dame Harriet Walter, Royal Academy of Music Manson Ensemble, Oliver Knussen | G Major | 1 | 9B | 95 BPM | ||
| 7 Haikus: II. Assai mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D Major | 0 | 10B | 77 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Five Movements for String Quartet, Op. 5: IV. Sehr langsam | Anton Webern, Leonkoro Quartet | D♭ Major | 2 | 3B | 93 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | D♭ Major | 2 | 3B | 93 BPM | ||
| Sad Song | Harrison Birtwistle, Nicolas Hodges, Claire Edwardes | D♭ Major | 2 | 3B | 93 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 71 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Pärt: Silouans Song | Arvo Pärt, Ostrobothnian Chamber Orchestra, Juha Kangas | F Minor | 0 | 4A | 130 BPM | ||
| La poesía nos salvará | Classical Laguna Experience Orchestra, Gabriela Ortiz, Carmen Acosta, Ludwig Carrasco, Javier Santos | C Major | 2 | 8B | 80 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Játékok / 8.: 20b. Verés - Veszekedés | György Kurtág, Márta Kurtág | C Major | 0 | 8B | 96 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: V. Jeux des cités rivales | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 3 | 5A | 110 BPM | ||
| 7 Haikus: V. Poco mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Symphony No. 3: III. Allegro comodo — Allegro deciso | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | D♭ Major | 2 | 3B | 93 BPM | ||
| Gawain, Act I (1994 Revised Version): Gawain Decapitates the Green Knight. God's Name! [Live] | Harrison Birtwistle, John Tomlinson, Penelope Walmsley-Clark, Orchestra Of The Royal Opera House, Kevin Smith, Richard Greager, John Marsden, Omar Ebrahim, Alan Ewing, Marie Angel, Anne Howells, Elgar Howarth | A♭ Minor | 4 | 1A | 127 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | D♭ Major | 2 | 3B | 93 BPM | ||
| Orchestral Arches: VII. Simultaneous Mobiles & VIII. Towards Nirvana - Live | Maya Badian, National Arts Centre Orchestra, Gary Kulesha | E♭ Major | 2 | 5B | 111 BPM | ||
| Gawain, Act I (1994 Revised Version): Tableau IVb. Autumn. Night. Here Is Your Second Arm [Live] | Harrison Birtwistle, John Marsden, Alan Ewing, Orchestra Of The Royal Opera House, Kevin Smith, Richard Greager, Penelope Walmsley-Clark, Omar Ebrahim, Marie Angel, Royal Opera Chorus, Elgar Howarth | E Major | 5 | 12B | 173 BPM |