- BPM
- 110
- Key
- F♯ Minor
- Camelot
- 11A
Deep River I by Samuel Coleridge-Taylor, Ashley Jackson Song Details
"Deep River I" by Samuel Coleridge-Taylor, Ashley Jackson had its release date on February 7, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 2 in Deep River by Samuel Coleridge-Taylor, Ashley Jackson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Deep River I is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Deep River I by Samuel Coleridge-Taylor, Ashley Jackson is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -26.58 dB
- Acousticness
- 99%
- Danceability
- 41%
- Energy
- 3%
- Instrumentalness
- 95%
- Liveness
- 10%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Liszt: 12 Lieder von Franz Schubert, S. 558: No. 7, Frühlingsglaube | Franz Liszt, Aimi Kobayashi | A♭ Major | 0 | 4B | 68 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act 3: Dido's Lament (Arr. Diluka for Piano) | Henry Purcell, Shani Diluka | D Minor | 0 | 7A | 134 BPM | |
 | Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | |
 | Othello, Op. 79: II. Children's Intermezzo | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | F Major | 0 | 7B | 113 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra | B♭ Major | 0 | 6B | 84 BPM | |
 | Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | |
 | Nonet in F Minor, Op. 2 "Gradus ad Parnassum": I. Allegro moderato | Samuel Coleridge-Taylor, Kaleidoscope Chamber Collective | C Major | 1 | 8B | 103 BPM | |
 | 6 Piano Pieces, Op. 118: No. 2: Intermezzo in A Major | Johannes Brahms, Igor Levit | F♯ Minor | 0 | 11A | 78 BPM | |
 | The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | |
 | Cantilena for Guitar and Orchestra | Roderick elms, BBC Concert Orchestra, Barry Wordsworth, Carlos Bonell | D Major | 0 | 10B | 89 BPM | |
 | Rainbow Waltz (Arr. for Orchestra by Wolfgang Dörner) | Florence Beatrice Price, Wiener Philharmoniker, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 68 BPM | |
 | A Daydream in Camelot | Stephan Moccio | C Minor | 1 | 5A | 142 BPM | |
 | Heaven and Earth | Stephen Edwards, The City of Prague Philharmonic Orchestra, Candace Wicke | A♭ Major | 2 | 4B | 84 BPM | |
 | Pavane | Tim Thorpe | E Major | 1 | 12B | 57 BPM | |
 | Theme of Love (Arr. Lawson for Harp & String Quartet) - From "Final Fantasy IV" | Nobuo Uematsu, Alis Huws, Ellie Consta, Emma Oldfield, Ben Norris, Deni Teo | D♭ Major | 1 | 3B | 68 BPM | |
 | Rusalka, Op. 114, Act I: Song to the Moon | Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | |
 | Arc de Triunfo de Barcelona | Mikael Virtanen, Bastian Verte | G Minor | 0 | 6A | 67 BPM | |
 | Jazz Suite: II. Lyrical Waltz | Alexander Tsfasman, Zlata Chochieva, BBC Scottish Symphony Orchestra, Karl-Heinz Steffens | E Minor | 1 | 9A | 84 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Chanson de mai, Romance sans paroles in D-Flat Major, Op. 40 | Alphonse Hasselmans, Silke Aichhorn | F Major | 1 | 7B | 99 BPM | |
 | Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | |
 | Bach, JS: Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande (Arr. Thomas for Cello & String Orchestra) | Abel Selaocoe, Manchester Collective | D Major | 1 | 10B | 80 BPM | |
 | Consolations, S. 172: No. 5 in E Major. Andantino | Franz Liszt, Leif Ove Andsnes | G Major | 0 | 9B | 70 BPM | |
 | Lyric Pieces, Book 1, Op. 12: No. 1, Arietta (Arr. Lewin for Guitar) | Edvard Grieg, Alexandra Whittingham | D Major | 0 | 10B | 152 BPM | |
 | 3 Spirituals for Orchestra: No. 2, Kum Ba Ya | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 172 BPM |
- ISRC
- USUM72500075
- Label
- L-M Records/RCA Records