"The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Finale" by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz had its release date on November 10, 2017. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Finale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "The Gadfly (Original Score)". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Finale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Finale by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Princess Sleeps (From "The Thief of Bagdad" [1924]) [Live] | Mortimer Wilson, Frankfurt Radio Symphony Orchestra, Mark Fitz-Gerald | G Major | 1 | 9B | 77 BPM | ||
| Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 1 | 6A | 73 BPM | ||
| Roman tanc (Romanian Dance), BB 61 | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | D♭ Major | 1 | 3B | 81 BPM | ||
| Les biches Suite, FP 36b: II. Adagietto | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 112 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
| Odna (Alone), Op. 26 [reconstructed by M. Fitz-Gerald]: Reel 1, Kuzmina in Leningrad: [Original] Introduction - The Cockery Sings: Ostan'sya! [Stay!] | Irina Mataeva, Anna Kiknadze, Dmitry Voropaev, Mark van Tongeren, Barbara Buchholz, Ulrich Edelmann, Frankfurt Vocal Ensemble, Radio-Sinfonie-Orchester Frankfurt, Mark Fitz-Gerald | C Major | 1 | 8B | 153 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: The Inn of the Keys to Happiness | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | E♭ Major | 3 | 5B | 98 BPM | ||
| The Snow Maiden, Op. 12: X. Melodrama | Moscow Symphony Orchestra, Arkady Mishenkin, Elena Okolysheva, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 0 | 11B | 131 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
| Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 0 | 10B | 83 BPM | ||
| Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Odna (Alone), Op. 26 [reconstructed by M. Fitz-Gerald]: Reel 7, Kuzmina's Rescue by Aeroplane: The Aeroplane from Moscow Arrives to Rescue the Teacher | Irina Mataeva, Anna Kiknadze, Dmitry Voropaev, Mark van Tongeren, Barbara Buchholz, Ulrich Edelmann, Frankfurt Vocal Ensemble, Radio-Sinfonie-Orchester Frankfurt, Mark Fitz-Gerald | F Minor | 0 | 4A | 146 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): II. Il castello vecchio "The Old Castle" | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | E Minor | 2 | 9A | 125 BPM | ||
| Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
| Le rouet d'Omphale, Op. 31: Le Rouet d'Omphale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Major | 0 | 10B | 121 BPM | ||
| The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): The Cliffs | Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz | A♭ Major | 0 | 4B | 102 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: IV. Dance | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | C Minor | 1 | 5A | 57 BPM | ||
| Suite panaméenne: I. Introduction - Tango - Remastered 2023 | Kurt Weill, Basel Sinfonietta, Mark Fitz-Gerald | F Minor | 1 | 4A | 122 BPM | ||
| Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
| A Street in Bagdad (From "The Thief of Bagdad" [1924]) [Live] | Mortimer Wilson, Frankfurt Radio Symphony Orchestra, Mark Fitz-Gerald | F Major | 1 | 7B | 75 BPM | ||
| Callirhoé, suite de ballet: IV. Pas des cymbales | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | G Major | 1 | 9B | 134 BPM | ||
| Noviy Vavilon (New Babylon), Op. 18 [original manuscript version]: Reel 2, Head over Heels: Paris | Basel Sinfonietta, Mark Fitz-Gerald | G Major | 0 | 9B | 84 BPM | ||
| Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM |