"Apotheosis: A Glorification" by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call had its release date on 2002. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Apotheosis: A Glorification's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Three Sacred Works". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Apotheosis: A Glorification is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Apotheosis: A Glorification by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Patriotica de Costa Rica | Himnos y Cantos Patrioticos de CR | C Major | 3 | 8B | 75 BPM | ||
| Cantata No. 147, BWV 147: "Jesu, Joy of Man's Desiring" - 2025 Remastered | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra, The Tabernacle Choir at Temple Square | C Minor | 3 | 5A | 106 BPM | ||
| Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra | A♭ Major | 2 | 4B | 84 BPM | ||
| This Little Babe | Benjamin Britten, Choirs of Fairlawn Avenue United Church, Eleanor Daley | E♭ Minor | 2 | 2A | 73 BPM | ||
| The Church's One Foundation | Dan Forrest, Beckenhorst Singers | E♭ Major | 3 | 5B | 76 BPM | ||
| The Chariot Jubilee | Robert Nathaniel Dett, Nathaniel Gumbs, Roderick George, The Aeolians, Jason Max Ferdinand, Jeanne Carere, Erica Howard, Katherine White, Daniel Worley, Amy King Black, John Bryant, Rolando Fernandez, Yvonne Toll, Hollie Lawing Pritchard, D. Phillip Truex, Robert Coulter, Patrick Ryan, Anatasia Petrunina, Jessica Stinson, Jay Hanselman, Felix Farrar, Angele Sherwood-Lawless, Katie Gardner-Otwell, Emily Laminack Wetzel, Tramaine Wilkes-Jones, Patti Gouvas, Marilyn Seelman, Lana Teko-Ahatefou, Charae Krueger, Harrison Cook, Emory Clements, Lisa Angert Morris | D Major | 2 | 10B | 72 BPM | ||
| Apotheosis: A Glorification | Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call | D Major | 3 | 10B | 75 BPM | ||
| Swing Low, Sweet Chariot | Traditional, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop | B♭ Major | 2 | 6B | 127 BPM | ||
| Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" | Carl Orff, John Shirley-Quirk, Norma Burrowes, Southend Boys Choir, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 4 | 9A | 132 BPM | ||
| Suite From The Lion King: Be Prepared | Cincinnati Pops Orchestra, Erich Kunzel | B♭ Minor | 2 | 3A | 118 BPM | ||
| Bella Notte | F. Murray Abraham, Arturo Castro | G Major | 2 | 9B | 84 BPM | ||
| Come, Thou Fount of Every Blessing (Arr. M. Wilberg) | Traditional, Craig Jessop, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, John Longhurst | G Major | 1 | 9B | 111 BPM | ||
| Eternal Light: A Requiem (2008): Revelation: Factum est silentium | Howard Goodall, Stephen Darlington, London Musici | C Minor | 2 | 5A | 142 BPM | ||
| Tantum ergo, Op. 55 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | A Major | 1 | 11B | 78 BPM | ||
| A Oração do Senhor | Grande Coral Evangélico | D♭ Major | 9 | 3B | 115 BPM | ||
| How Excellent Is Thy Loving Kindness | Harmonious Chorale Ghana | D Major | 1 | 10B | 75 BPM | ||
| Prelude and the Birth of Christ - From "Jesus of Nazareth" | The City of Prague Philharmonic Orchestra | F Major | 1 | 7B | 69 BPM | ||
| Brennið þið vitar | Karlakór Reykjavíkur | G Major | 7 | 9B | 158 BPM | ||
| Soon Ah Will Be Done | William Dawson, William Jewell College Concert Choir, Anthony J. Maglione | B Minor | 2 | 10A | 68 BPM | ||
| The lost chord - 1970 Recording | Arthur Sullivan, Stuart Burrows, John Constable | F Major | 2 | 7B | 79 BPM | ||
| Otello / Act 2: "Dove guardi splendono" | Giuseppe Verdi, Luciano Pavarotti, Kiri Te Kanawa, Leo Nucci, The Metropolitan Childrens Chorus, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 1 | 12B | 112 BPM | ||
| All That Hath Life And Breath Praise Ye The Lord! | The University Of Utah Singers | G Minor | 2 | 6A | 131 BPM | ||
| H.M.S. Pinafore / Act 2: Farewell, my own | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 89 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Wo Ne Gyefo | Harmonious Chorale Ghana | A Major | 2 | 11B | 98 BPM |