- BPM
- 129
- Key
- E Minor
- Camelot
- 9A
The Passion of Rabbi Shimon bar Yochai: No. 7, Rabbi Shimon bar Yochai by Joseph Bardanashvili, The Israel Camerata Jerusalem, Avner Biron, Rona Israel-Kolatt, Merav Eldan, Marcel Beekman, Nigel Smith, Amit Ulman Song Details
"The Passion of Rabbi Shimon bar Yochai: No. 7, Rabbi Shimon bar Yochai" by Joseph Bardanashvili, The Israel Camerata Jerusalem, Avner Biron, Rona Israel-Kolatt, Merav Eldan, Marcel Beekman, Nigel Smith, Amit Ulman had its release date on December 1, 2017. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 22 in Bardanashvili - Songs of Wine and Love, The Passion of Rabbi Shimon bar Yochai by Joseph Bardanashvili, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Israel. Based on our statistics, The Passion of Rabbi Shimon bar Yochai: No. 7, Rabbi Shimon bar Yochai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of The Passion of Rabbi Shimon bar Yochai: No. 7, Rabbi Shimon bar Yochai by Joseph Bardanashvili, The Israel Camerata Jerusalem, Avner Biron, Rona Israel-Kolatt, Merav Eldan, Marcel Beekman, Nigel Smith, Amit Ulman is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.792 dB
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 11%
- Instrumentalness
- 0%
- Liveness
- 29%
- Loudness
- 60%
- Speechiness
- 6%
- Valence
- 13%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D Minor | 0 | 7A | 75 BPM | |
 | The Passion of Rabbi Shimon bar Yochai: No. 7, Rabbi Shimon bar Yochai | Joseph Bardanashvili, The Israel Camerata Jerusalem, Avner Biron, Rona Israel-Kolatt, Merav Eldan, Marcel Beekman, Nigel Smith, Amit Ulman | E Minor | 1 | 9A | 129 BPM | |
 | A Midsummer Night's Dream, Incidental Music, Op. 61: No. 8, Andante | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Frankie Wakefield, Alexander Knox, Ceri-lyn Cissone | E Major | 0 | 12B | 82 BPM | |
 | Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | |
 | Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? | Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | |
 | Offertorium | Gabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orch | D Major | 0 | 10B | 69 BPM | |
 | Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | |
 | Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: V. Qui tollis | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | B♭ Minor | 1 | 3A | 79 BPM | |
 | Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | |
 | Symphony No. 3, Op. 36, "Symfonia piesni zalosnych" (Symphony of Sorrowful Songs): II. Lento e largo - Tranquillissimo | Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 87 BPM | |
 | Requiem, Op. 48: 2. Offertoire (Bariton, Chorus) | Gabriel Fauré, Andreas Schmidt, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | E♭ Minor | 1 | 2A | 125 BPM | |
| The Passion of Rabbi Shimon bar Yochai: No. 12, Rabbi Shimon's Illness | Joseph Bardanashvili, The Israel Camerata Jerusalem, Avner Biron, Rona Israel-Kolatt, Merav Eldan, Marcel Beekman, Nigel Smith, Amit Ulman | C Major | 1 | 8B | 87 BPM | |
 | Cold Song’ (What Power Art Thou...) | Henry Purcell, VOCES8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | |
 | Don Giovanni, K. 527, Act II: In quali eccessi, K. 540c (Recit., Vienna Version) | Wolfgang Amadeus Mozart, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 72 BPM | |
 | War Requiem, Op. 66: ix. Dies Irae - Recordare Iesu pie | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | G Major | 0 | 9B | 130 BPM | |
 | Susannah / Act 2: "The trees on the mountain" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | G Minor | 1 | 6A | 169 BPM | |
 | Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | |
 | Adams: Nixon in China: Act I, Scene 2 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Major | 2 | 10B | 171 BPM | |
 | Das Lied von der Erde: II. Der Einsame im Herbst | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | B♭ Major | 0 | 6B | 134 BPM | |
 | The Dream of Gerontius, Op. 38 / Part 1: "Jesu, Maria, I Am Near To Death" | Edward Elgar, Sir Peter Pears, Choir of King's College, Cambridge, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | E♭ Major | 1 | 5B | 139 BPM | |
 | Die tote Stadt, Act I: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | |
 | Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | |
 | Gilgamesh, Tablet 8: Grief | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | |
 | Poulenc: Le bestiaire, ou le cortège d’Orphée, FP 15: No. 6, La carpe (Chamber Version) | Francis Poulenc, Georges Prêtre, Maryse Charpentier, Orchestre De La Société Des Concerts Du Conservatoire | D♭ Major | 0 | 3B | 141 BPM | |
 | Szymanowski: Love Songs of Hafiz, Op. 26: No. 7, Drinking Song | Karol Szymanowski, Sir Simon Rattle, Katarina Karnéus, City Of Birmingham Symphony Orchestra | B Major | 0 | 1B | 58 BPM |
- ISRC
- IL6191701094
- Label
- L-M Records/RCA Records