- BPM
- 103
- Key
- A Major
- Camelot
- 11B
Radetzky March, Op. 228 by Johann Strauss Sr., Cincinnati Pops Orchestra, Erich Kunzel Song Details
Johann Strauss Sr., Cincinnati Pops Orchestra, Erich Kunzel's ' "Radetzky March, Op. 228" was released on its scheduled release date, March 1, 1985. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 12 in Ein Straussfest: Blue Danube Waltz, Champagne Polka, Tales from the Vienna Woods and Other Favorites by Johann Strauss II, Erich Kunzel, Cincinnati Pops Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Radetzky March, Op. 228 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of Radetzky March, Op. 228 by Johann Strauss Sr., Cincinnati Pops Orchestra, Erich Kunzel is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -21.888 dB
- Acousticness
- 74%
- Danceability
- 58%
- Energy
- 32%
- Instrumentalness
- 96%
- Liveness
- 33%
- Loudness
- 64%
- Speechiness
- 3%
- Valence
- 76%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Steyrische Tänze, Op. 165 | Joseph Lanner, Daniel Ottensamer | A Major | 0 | 11B | 170 BPM | |
 | Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | |
 | Carmen Suite: II. Dance | Rodion Shchedrin, Georges Bizet, Gennady Rozhdestvensky, Bolshoi Theatre Orchestra | D Minor | 3 | 7A | 113 BPM | |
 | Frühlingsstimmen, Op. 410: Frühlingsstimmen (Voices of Spring), Op. 410 | Johann Strauss II, Hungarian State Orchestra, Janos Ferencsik | E♭ Major | 1 | 5B | 96 BPM | |
 | Waldteufel Waltzes | Émile Waldteufel, Erich Kunzel, Cincinnati Pops Orchestra | A Major | 1 | 11B | 174 BPM | |
 | 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso (Arr. for Violin & String Orchestra by Anonymous) | Antonín Dvořák, Budapest Strings, Béla Bánfalvi | F♯ Major | 0 | 2B | 106 BPM | |
 | Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Slovak Radio Symphony Orchestra, Anthony Bramall | D Major | 2 | 10B | 154 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | D Major | 0 | 10B | 69 BPM | |
 | Carmen Suite No. 2: IV. Chanson du toreador | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 2 | 7B | 114 BPM | |
 | 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | |
 | Radetzky March, Op. 228 | Johann Strauss I, Wiener Symphoniker, Vladimir Fedoseyev | A Major | 4 | 11B | 109 BPM | |
 | Concerto grosso No. 11 in D Minor from L'estro armonico, Op. 3: I. Allegro (Arr. Leopold Stokowski) | Antonio Vivaldi, Matthias Bamert, BBC Philharmonic | D Minor | 2 | 7A | 96 BPM | |
 | Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | |
 | Love Came For Me (From "Splash") | Cincinnati Pops Orchestra, Erich Kunzel, William Tritt | G Major | 3 | 9B | 120 BPM | |
 | Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | |
 | Love Theme From "The Winds Of War" & "War And Remembrance" | Robert Cobert, Erich Kunzel, Cincinnati Pops Orchestra | E Minor | 4 | 9A | 120 BPM | |
 | Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | |
| Tik-Tak, Op. 365: Tik-Tak Polka, Op. 365 | Johann Strauss II, Hungarian State Orchestra, Janos Ferencsik | B♭ Major | 3 | 6B | 101 BPM | |
 | Suite No. 1 for Variety Orchestra, Op. Posth.: VII. Waltz No. 2 | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | C Minor | 2 | 5A | 194 BPM | |
 | Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | |
| Rodgers: The Song Of The High Seas (From "Victory At Sea") | Richard Rodgers, Erich Kunzel, Cincinnati Pops Orchestra | B♭ Major | 5 | 6B | 124 BPM | |
 | Die Walküre, WWV 86B: Ride of the Valkyries | Richard Wagner, Cincinnati Pops Orchestra, Erich Kunzel | B Major | 2 | 1B | 199 BPM | |
 | Symphony No. 5 In C Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D♭ Major | 0 | 3B | 85 BPM | |
 | Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | |
 | Descendants of the Dragon | Chinese Symphonic Century | A Minor | 4 | 8A | 95 BPM |
- ISRC
- USTE10306098
- Label
- L-M Records/RCA Records