Dudley Moore, Peter Cook's ' "The Weill Song - Introduced By Paxton Whitehead; 1996 Remastered Version" was released on its scheduled release date, October 21, 1996. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. The Weill Song - Introduced By Paxton Whitehead; 1996 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "The Complete Beyond The Fringe". In this album, this song's track order is #9. In terms of popularity, The Weill Song - Introduced By Paxton Whitehead; 1996 Remastered Version is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Weill Song - Introduced By Paxton Whitehead; 1996 Remastered Version by Dudley Moore, Peter Cook having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir John Barbirolli, New Philharmonia Orchestra | F Major | 0 | 7B | 87 BPM | ||
| Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 82 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Mélodie | Pyotr Ilyich Tchaikovsky, Charlie Siem, Paul Goodwin | E♭ Major | 1 | 5B | 78 BPM | ||
| The Carnival of the Animals, R. 125: XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis, Michael Tilson Thomas, Dudley Moore | A♭ Minor | 1 | 1A | 173 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Orchestra) | Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | G Major | 1 | 9B | 84 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Thais, Meditación | Nueva Vida | D Major | 1 | 10B | 89 BPM | ||
| Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
| Gymnopédies: No. 1 - Lent et Grave, No. 3 - Lent et douloureux | Erik Satie, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 0 | 9A | 73 BPM | ||
| Strictly for the Birds | Cleo Laine, Dudley Moore | F♯ Minor | 2 | 11A | 115 BPM | ||
| Valse triste, Op. 44 No. 1 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM | ||
| A Quiet Stroll | Charles Williams and his Concert Orchestra | G Major | 2 | 9B | 96 BPM | ||
| Elizabethan Serenade | Ronald Binge | F Major | 2 | 7B | 178 BPM | ||
| Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Myron Bloom, Orchestre de Paris, Daniel Barenboim | G Major | 0 | 9B | 76 BPM | ||
| Sketch of a Daddy | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | F Major | 1 | 7B | 115 BPM | ||
| 120 Plus Optional Magical Exploding Cadence | Dudley Moore | D Major | 3 | 10B | 111 BPM | ||
| Elgar / Orch. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
| Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM |