- BPM
- 80
- Key
- A Major
- Camelot
- 11B
Polovtsian Dances: VII. Presto by Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra Song Details
Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra's 'Polovtsian Dances: VII. Presto' had a release date set for August 1, 1995. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 19 in Borodin: Symphony No. 2 by Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Polovtsian Dances: VII. Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Polovtsian Dances: VII. Presto by Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -13.354 dB
- Acousticness
- 73%
- Danceability
- 23%
- Energy
- 40%
- Instrumentalness
- 51%
- Liveness
- 13%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 29%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Vaughan Williams: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | |
 | Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | |
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 | Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 86 BPM | |
 | The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | |
 | Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | |
 | Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 76 BPM | |
 | String Quartet No. 1 in A Major: II. Andante con moto | Alexander Borodin, Budapest Haydn Quartet | F♯ Minor | 1 | 11A | 88 BPM | |
 | Pelléas et Mélisande, Op. 80, Suite: III. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | |
 | Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 3 | 6A | 116 BPM | |
 | Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | |
 | VII. Introduction (Prelude) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D Minor | 3 | 7A | 78 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | |
 | 8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | |
| 8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | |
 | St. Paul's Suite, Op. 29 No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | |
 | Bagatelles et impromptus, JB 1:19: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 76 BPM | |
 | Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | |
 | Adagio in G minor (Arr. Giazotto & Palmer) | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | C Minor | 1 | 5A | 82 BPM | |
 | Nocturne No. 5 in B-Flat Major, H 37 | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 70 BPM |
- ISRC
- GBLWD9508118
- Label
- L-M Records/RCA Records