John Rutter, Royal Philharmonic Orchestra, The Cambridge Singers's ' "Rejoice and Sing" was released on its scheduled release date, November 6, 2015. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Rutter: The Gift of Life". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rejoice and Sing's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rejoice and Sing by John Rutter, Royal Philharmonic Orchestra, The Cambridge Singers having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gabriel's Message | Traditional Basque, The Bach Choir, John Rutter | A Minor | 1 | 8A | 70 BPM | ||
| The Shepherd's Carol | Anonymous, Robert Chilcott, Choir of King's College, Cambridge, Stephen Cleobury, Daniel Hyde | D Major | 0 | 10B | 83 BPM | ||
| A Ceremony Of Carols, Op. 28: Procession | Benjamin Britten, The Sixteen, Harry Christophers | A Major | 0 | 11B | 138 BPM | ||
| In The Bleak Midwinter (Live) | Chanticleer, Joseph Jennings | G Major | 0 | 9B | 134 BPM | ||
| Rejoice and Sing | John Rutter, Royal Philharmonic Orchestra, The Cambridge Singers | E Major | 1 | 12B | 120 BPM | ||
| O Holy Night | Adolphe Adam, Choirs of St. John Cantius, Orchestra of St. John Cantius Church, Chicago, IL, Fr. Scott A. Haynes, SJC | D Major | 4 | 10B | 129 BPM | ||
| Nativity Carol (Version for Mixed Choir) | John Rutter, The Cambridge Singers, City of London Sinfonia | D Major | 1 | 10B | 87 BPM | ||
| Traditional: Sussex Carol (Christmas Carol): "On Christmas night all Christians sing" (Arr. Philip Ledger) | Traditional English, Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | G Major | 2 | 9B | 170 BPM | ||
| To Hear the Angels Sing (It Came Upon the Midnight Clear) | Millennial Choirs & Orchestras, Brandon Stewart, Brett Stewart | F Major | 1 | 7B | 87 BPM | ||
| O Little Town Of Bethlehem | Royal Philharmonic Orchestra, Anthony Inglis | F Major | 2 | 7B | 85 BPM | ||
| Tomorrow Shall Be My Dancing Day | Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Sir Neville Marriner | B♭ Major | 1 | 6B | 133 BPM | ||
| Ding Dong!! Merrily On High | Choir of King's College, Cambridge | B♭ Major | 1 | 6B | 80 BPM | ||
| Tomorrow Shall be my Dancing Day (arr. D. Willcocks) | Sir David Willcocks, Traditional, Elora Festival Singers, Noel Edison | B♭ Major | 1 | 6B | 129 BPM | ||
| In the Bleak Midwinter | The Sixteen | G Major | 1 | 9B | 69 BPM | ||
| My Lord Has Come | Will Todd, The Sixteen, Harry Christophers | G Major | 1 | 9B | 75 BPM | ||
| St. Clements | Oxford St. Peter's Choir | A Minor | 2 | 8A | 137 BPM | ||
| Britten: Jubilate Deo in C | Benjamin Britten, James Lancelot, Choir of King's College, Cambridge, Philip Ledger | C Major | 1 | 8B | 78 BPM | ||
| In The Bleak Midwinter | Nigel Hess, Harold Darke, Royal Philharmonic Orchestra | G Major | 0 | 9B | 75 BPM | ||
| Jesus Christ, the Apple Tree | Elizabeth Poston, Andrew Nethsingha, Choir of St. John's College, Cambridge | C Major | 0 | 8B | 76 BPM | ||
| Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) | Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes | A Major | 1 | 11B | 81 BPM | ||
| Up! Good Christen Folk, And Listen | Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | D♭ Major | 1 | 3B | 80 BPM | ||
| In the Bleak Midwinter | Rosemary Joshua, Ian Bostridge, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
| When I Survey the Wondrous Cross | Edward Miller, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| The Shepherds' Farewell | Hector Berlioz, The Choir Of Trinity College, Cambridge, Richard Marlow | E Major | 0 | 12B | 73 BPM | ||
| Herefordshire Carol (Arr. Ralph Vaughan Williams) | English Traditional, Choir of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 100 BPM |