"Giulietta e Romeo, Act II: Rampogni fiera... Ebbene... Sia. Perdona. (Tebaldo)" by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi had its release date on 1955. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zandonai: Giulietta e Romeo by Riccardo Zandonai, Anna Maria Rovere, Angelo Lo Forese, Angelo Questa. The song's track number on the album is #11 out of 22 tracks. Giulietta e Romeo, Act II: Rampogni fiera... Ebbene... Sia. Perdona. (Tebaldo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Giulietta e Romeo, Act II: Rampogni fiera... Ebbene... Sia. Perdona. (Tebaldo) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Giulietta e Romeo, Act II: Rampogni fiera... Ebbene... Sia. Perdona. (Tebaldo) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro) | Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 89 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Francesca da Rimini, Act II: Paolo! …Francesca! (Live) | Riccardo Zandonai, Renato Cioni, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Eno Mucchiutti, Claudio Giombi, Franco Capuana | D♭ Major | 5 | 3B | 87 BPM | ||
| Verdi: Il Trovatore: Il balen del suo sorriso - Conte - Act Two Scene Two | Giuseppe Verdi, Piero Cappuccilli | G Major | 4 | 9B | 164 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Un ballo in maschera / Act 2: Ecco l'orrido campo | Giuseppe Verdi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | ||
| La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" | Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 64 BPM | ||
| Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur) | Giacomo Puccini, Francesco Molinari-Pradelli, Bonaldo Giaiotti, Franco Corelli, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 2 | 2A | 136 BPM | ||
| Puccini: Turandot, Act 1: "Silenzio, olà!" (Le ancelle di Turandot, Coro, Calaf, Timur) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michele Pertusi, Rakhsha Ramezani Melami, Valentina Iannotta, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Minor | 0 | 10A | 88 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 7, Low-born clods of brute earth (Demons) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Jamie Barton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM | ||
| Francesca da Rimini / Act 4: Ora andate...O Biancofiore, piccola tu sei! | Riccardo Zandonai, Magda Olivero, Annamaria Gasparini, Orchestre National de l'Opéra de Monte-Carlo, Nicola Rescigno | G Minor | 1 | 6A | 134 BPM | ||
| Tosca, Act I: E buona la mia Tosca | Giacomo Puccini, Jonathan Tetelman, Giorgi Manoshvili, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Don Pasquale, Act II Quinta Scena: Riunita immantinento (Norina/Pasquale/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 135 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Cavalleria rusticana: Duet. Ah! lo vedi – Turiddu, ascolta! | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | ||
| Falla: La vida breve, Act I: "Vivan los que rien!" (Salud, Paco, Chorus) | Manuel de Falla, Marianne Crebassa, Choeur Du Capitole De Toulouse, Stanislas de Barbeyrac, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Minor | 2 | 8A | 189 BPM | ||
| Simon Boccanegra: Prologo: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) | Giuseppe Verdi, Ludovic Tezier, Michele Pertusi, Mattia Olivieri, Andrea Pellegrini, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | E♭ Major | 2 | 5B | 80 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| Carmen / Act 2: Quintette: "Nous avons en tête une affaire!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Heinz Zednik, Gino Quilico, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 72 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Francesca da Rimini, Act III: Perchè volete voi ch'io rinnovi (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Renato Cioni, Leyla Gencer, Franco Capuana | E Major | 2 | 12B | 77 BPM |