Toru Takemitsu, Susan Palma-Nidel, David Starobin's 'Toward the Sea (Version for Alto Flute & Guitar): II. Moby Dick' had a release date set for June 1, 1988. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "New Music with Guitar, Vols. 1-3". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Toward the Sea (Version for Alto Flute & Guitar): II. Moby Dick is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Toward the Sea (Version for Alto Flute & Guitar): II. Moby Dick by Toru Takemitsu, Susan Palma-Nidel, David Starobin having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toward the Sea: No. 1, The Night | Toru Takemitsu, Irene Kalisvaart, Britta Jacobs | D Minor | 0 | 7A | 67 BPM | ||
| Mavra, K39: Chanson russe (Arr. Knigge for Recorder & Ensemble) | Lucie Horsch, LUDWIG Orchestra, Igor Stravinsky | A Minor | 4 | 8A | 121 BPM | ||
| Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Minor | 0 | 9A | 68 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| IDENTITY / Tōru Takemitsu: I. Adagio [Litany (In Memory of Michael Vyner)] | Toru Takemitsu, Alice Sara Ott | F♯ Major | 0 | 2B | 69 BPM | ||
| Preludes: Cloches d'angoisse et larmes d'adieu (Bells of Anguish and Tears of Farewell) | Olivier Messiaen, Håkon Austbø | B Minor | 0 | 10A | 76 BPM | ||
| Miške, MKČ 101: I. Exposition, Main Theme. Lento assai | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E♭ Major | 0 | 5B | 94 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Lamentate: II. Spietato | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | E Major | 5 | 12B | 72 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| The Crimson Citadel / Surrendering the Castle (Desert of Madness) | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
| 弦楽オーケストラのための「3つの映画音楽」(武満徹) 「他人の顔」 ワルツ | Toru Takemitsu, 尾高忠明, NHK Symphony Orchestra | F Major | 3 | 7B | 147 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice | Frederick Delius, Gerald Peregrine, Antony Ingham | C Major | 0 | 8B | 125 BPM | ||
| Endless Hell / Escape | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| ラスト・ワルツ | Les Reed, Barry Mason, Toru Takemitsu, 藤元高輝 | D Minor | 3 | 7A | 85 BPM | ||
| 12 Songs for Guitar: No. 5, Amours Perdues - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, Joseph Kosma, Giacomo Palazzesi | B Minor | 0 | 10A | 78 BPM | ||
| 3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM |