"In Time of Pestilence: No. 5, Wit with His Wantoness" by Ned Rorem, Gregg Smith Singers, Gregg Smith had its release date on January 1, 1996. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "Rorem: Choral Works". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. In Time of Pestilence: No. 5, Wit with His Wantoness is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Time of Pestilence: No. 5, Wit with His Wantoness by Ned Rorem, Gregg Smith Singers, Gregg Smith having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little Lamb, Who Made Thee? (arr. for choir and string quartet by Tom Shorter) | Ned Rorem, St Martin's Voices, Piatti Quartet, Andrew Earis | A♭ Major | 1 | 4B | 91 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | A♭ Major | 1 | 4B | 78 BPM | ||
| An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
| 10 Pieces, Op. 24: 4. Romance | Jean Sibelius, Håvard Gimse | B♭ Major | 0 | 6B | 68 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | ||
| The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A♭ Major | 1 | 4B | 78 BPM | ||
| Sing My Soul, His Wondrous Love | Ned Rorem, St Martin's Voices, Andrew Earis | A♭ Major | 1 | 4B | 91 BPM | ||
| Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | ||
| Streichquartett Nr. 4: Minotaur | Ned Rorem, Emerson String Quartet | G Major | 3 | 9B | 156 BPM | ||
| Piano Album I: Marriage Measures | Ned Rorem, Carolyn Enger | F Major | 0 | 7B | 127 BPM | ||
| Quatuor pour hautbois, violon, violoncelle et piano, H.315: I. Moderato poco Allegro | Bohuslav Martinů, Philippe Tondre, Danae Dörken, Sarah Christian, Maximilian Hornung | A♭ Major | 1 | 4B | 78 BPM | ||
| Lullaby for Piano | Richard Danielpour, Stefano Greco | D Minor | 0 | 7A | 66 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | A♭ Major | 1 | 4B | 78 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | A♭ Major | 1 | 4B | 78 BPM | ||
| Lullaby: Lullaby on an Ancient Irish Tune (1909 Version) | Rebecca Clarke, Philip Dukes, Sophia Rahman | E Major | 0 | 12B | 67 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Tabby Suite: Nocturne | Josh Taylor | A♭ Major | 1 | 4B | 78 BPM | ||
| Our Town, Act II: "Well, George, How are You?" | Ned Rorem, David Kravitz, Brendan Buckley, Angela Gooch, Gil Rose | F Major | 3 | 7B | 84 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: Introduction | Edward Elgar, The Orchestra Of Opera North, Martyn Brabbins | A♭ Major | 1 | 4B | 78 BPM | ||
| La ville morte, Act I: Eros invaincu au combat | Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin | A♭ Major | 1 | 4B | 78 BPM | ||
| Piano Trio No. 1 in D minor, Op. 32: 2. Scherzo: Allegro molto | Anton Arensky, Beaux Arts Trio | F Major | 2 | 7B | 86 BPM | ||
| Beautiful Fresh Flower (Arr. Grainger for Piano) | Traditional, Piers Lane | F♯ Major | 1 | 2B | 169 BPM | ||
| 24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice) | Dmitri Shostakovich, Alexander Melnikov | A Minor | 0 | 8A | 73 BPM | ||
| Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM |