Ned Rorem, Carolyn Enger's 'Piano Album I: Marriage Measures' had a release date set for October 1, 2013. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Rorem: Piano Album I & Six Friends". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Piano Album I: Marriage Measures's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Album I: Marriage Measures by Ned Rorem, Carolyn Enger having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Impresiones intimas: V. Secreto (Secret) | Federico Mompou, Olena Kushpler | D♭ Major | 0 | 3B | 79 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | D Minor | 1 | 7A | 109 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Les Cinq Doights (1921): Larghetto - Produced | Igor Stravinsky, Anatoly Sheludyakov | E Minor | 0 | 9A | 142 BPM | ||
| Rorem : Santa Fe Songs : IV Sonnet | Ned Rorem, Susan Graham, Ensemble Oriol | C Minor | 1 | 5A | 89 BPM | ||
| 12 Nocturnes: No. 5, In den Morgen tanzen | Bent Sørensen, Katrine Gislinge | D Minor | 1 | 7A | 109 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Rorem: The Lordly Hudson | Ned Rorem, Susan Graham, Malcolm Martineau | F Minor | 0 | 4A | 74 BPM | ||
| Down a Country Lane | Aaron Copland, David Northington | A♭ Major | 0 | 4B | 130 BPM | ||
| Música callada I: No. 2, Lent | Federico Mompou, Stephen Hough | E Minor | 0 | 9A | 86 BPM | ||
| Talisman: II. Contemplatif | Karol Beffa, Sanja Bizjak, Patrick Messina, Lyodoh Kaneko, Young-Eun Koo, Allan Swieton, Marlène Rivière | G Minor | 0 | 6A | 168 BPM | ||
| Journey To Still Water Pond | Peter Scott Lewis | D Major | 1 | 10B | 77 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | D Minor | 1 | 7A | 109 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | D Minor | 1 | 7A | 109 BPM | ||
| Suite De Trois Morceaux, Op. 116 | Benjamin Godard, Samuel Sanders, Paula Robison | G Major | 1 | 9B | 82 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | D Minor | 1 | 7A | 109 BPM | ||
| Tempus fugit: I. Part 1 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 123 BPM | ||
| Suk: Serenade for Strings in E-Flat Major, Op. 6: II. Allegro ma non troppo e grazioso | Josef Suk, London Chamber Orchestra, Christopher Warren-Green | F♯ Major | 1 | 2B | 107 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Villa-Lobos: Suíte infantil No. 1, W053: II. Nenê vai dormir | Heitor Villa-Lobos, Georges Pludermacher | B Minor | 0 | 10A | 71 BPM | ||
| Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM |