Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra's 'The Rite of Spring, Part 1: V. Ritual of the Rival Tribes' had a release date set for October 20, 2017. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "The Rite of Spring". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of The Rite of Spring, Part 1: V. Ritual of the Rival Tribes is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rite of Spring, Part 1: V. Ritual of the Rival Tribes by Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Printemps, L. 61: I. Très modéré | Claude Debussy, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Major | 0 | 1B | 88 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 48 BPM | ||
| Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
| Stravinsky: Symphony in C: II. Larghetto concertante | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 104 BPM | ||
| Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 92 BPM | ||
| Capriccio Espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 75 BPM | ||
| Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| The Firebird, KC 10: VII. Danse infernale de tous les sujets de Kachtcheï | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | E Major | 3 | 12B | 149 BPM | ||
| Billy the Kid: No. 6, Celebration | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
| Roman Carnival Overture, Op. 9 (Remastered) | Hector Berlioz, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 77 BPM | ||
| Symphonic Variations on an African Air, Op. 63 | Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | G Major | 0 | 9B | 121 BPM | ||
| Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Major | 3 | 3B | 132 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 96 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 87 BPM | ||
| Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
| Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: IV. Allegro molto - Lento | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D♭ Major | 1 | 3B | 79 BPM | ||
| The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 106 BPM | ||
| Carnival of the Animals: I. Introduction and Royal March of the Lion | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 2 | 9B | 79 BPM | ||
| The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 134 BPM | ||
| Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM | ||
| Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
| Holst : The Planets Op.32 : I Mars, the Bringer of War | Gioachino Rossini, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | A♭ Major | 2 | 4B | 149 BPM |