Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner's ' "The Rake's Progress: Epilogue. Good People, Just a Moment" was released on its scheduled release date, August 4, 2017. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. The Rake's Progress: Epilogue. Good People, Just a Moment's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Stravinsky: The Rake's Progress". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Italy. Based on our statistics, The Rake's Progress: Epilogue. Good People, Just a Moment's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Rake's Progress: Epilogue. Good People, Just a Moment by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
| Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | E♭ Major | 1 | 5B | 86 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Orchestre de Paris, Klaus Mäkelä | A Major | 1 | 11B | 100 BPM | ||
| Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM | ||
| Petrushka: The Shrove-Tide Fair | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | ||
| Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky, Teodor Currentzis, musicAeterna | A Major | 6 | 11B | 136 BPM | ||
| Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
| Romeo and Juliet, Op. 64 - Act 3: Aubade | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 153 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Phantasy Quintet: II. Scherzo: Prestissimo | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E Minor | 1 | 9A | 82 BPM | ||
| Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 105 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | E Minor | 1 | 9A | 77 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): I. Act I. Opening - Interlude 1 - Interlude 2 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D Minor | 0 | 7A | 141 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | B♭ Minor | 0 | 3A | 111 BPM | ||
| Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | B♭ Major | 3 | 6B | 136 BPM | ||
| Piano Concerto in G Major, M. 83: III. Presto | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 81 BPM | ||
| Petrushka, K12 (1911 Version): II. Petrushka's Room | Igor Stravinsky, The Cleveland Orchestra, Pierre Boulez | E Minor | 1 | 9A | 172 BPM | ||
| L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
| Pines of Rome, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | C Minor | 1 | 5A | 90 BPM |