"Suite No. 1 (Version for Violin & Guitar): II. Histérico" by Raffaele Bellafronte, Davide Di Ienno, Luca Marziali had its release date on November 5, 2021. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Raffaele Bellafronte: Guitar Works 2021". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. Suite No. 1 (Version for Violin & Guitar): II. Histérico is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 1 (Version for Violin & Guitar): II. Histérico by Raffaele Bellafronte, Davide Di Ienno, Luca Marziali having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Suite No. 3, Op. 87: V. Dialogo. Allegretto – | Benjamin Britten, Steven Isserlis | C Major | 1 | 8B | 110 BPM | ||
| A Fancy | John Dowland, Christoph Denoth | E Minor | 1 | 9A | 107 BPM | ||
| Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 2, Elegy | Frederick Delius, Gerald Peregrine, Antony Ingham | D Major | 0 | 10B | 171 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| Vivaldi: Cello Sonata No. 1 in B-Flat Major, Op. 14, RV 47: I. Largo | Antonio Vivaldi, Paul Tortelier, Robert Veyron-Lacroix | B♭ Major | 1 | 6B | 102 BPM | ||
| Aliàntes | Raffaele Bellafronte, Luciano Franca, Symphonia Perusina, Claudio Casadei | G Minor | 2 | 6A | 89 BPM | ||
| Meditazione prima | Marco Colabucci, Fortibus Ensemble | B Minor | 6 | 10A | 120 BPM | ||
| 12 Preludes: I. Preludio I | Raffaele Bellafronte, Alessandro Deljavan | G Major | 4 | 9B | 161 BPM | ||
| Miniature for Piano No. 22 | Giya Kancheli, Duo Bergerac | C Major | 1 | 8B | 67 BPM | ||
| Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante | Franz Anton Hoffmeister, John Mills, Bozidar Vukotic | A Minor | 1 | 8A | 144 BPM | ||
| Double Bass Sonata: III. Adagio | Henry Eccles, Ferenc Csontos, Balazs Szokolay | D Major | 1 | 10B | 106 BPM | ||
| Feet In The Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | ||
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| Flute Trios, Op. 71, P. 263: No. 2 in E Minor: IV. All'ungarese. Allegretto moderato | Franz Danzi, Anna Kaiser, Lorenzo Gabriele, Johannes Berger | F♯ Minor | 1 | 11A | 98 BPM | ||
| Villa-Lobos: 12 Études, W235: No. 5 in C Major, Andantino | Heitor Villa-Lobos, Oscar Caceres | G Major | 1 | 9B | 130 BPM | ||
| 2 Morceaux caractéristiques, Op. 164, B. 36: No. 2, Tango (Arr. for Chamber Ensemble by Anonymous) | Isaac Albéniz, Consort Ripieno Concertino | G Major | 1 | 9B | 94 BPM | ||
| Suite No. 1 (Version for Violin & Guitar): III. Romantico | Raffaele Bellafronte, Davide Di Ienno, Luca Marziali | D Minor | 1 | 7A | 87 BPM | ||
| Four Seasons of Buenos Aires: IV. Invierno Porteño | Devich Trio | E♭ Major | 1 | 5B | 103 BPM | ||
| Gabriel Fauré Après Un Rêve | Josef Karlicek, Petr Karlicek | F♯ Minor | 1 | 11A | 98 BPM | ||
| Filum | Raffaele Bellafronte, Davide Di Ienno | D Minor | 1 | 7A | 87 BPM | ||
| Reflection, Op. 31a | Oliver Knussen, Tamsin Waley-Cohen, Huw Watkins | F♯ Minor | 1 | 11A | 98 BPM | ||
| The Gadfly Suite, Op. 97a: VIII. Romance | Yoko Ara, Takehiko Yamada | D Major | 0 | 10B | 74 BPM | ||
| シチリアーノ | George Frideric Handel, ヤーノシュ・シュタルケル, Shigeo Neriki | E Minor | 0 | 9A | 75 BPM | ||
| Cello Sonata in D Minor, L. 135: II. Serenade: Modérément anime - | Claude Debussy, Harriet Krijgh, Kamilla Isanbaeva | C Minor | 1 | 5A | 97 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM |