"Stundenbuch: IVe. Ecce homo "Pietà"" by Carl Rütti had its release date on 1998. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 18 in Carl Rütti: Plays His Own Piano Music by Carl Rütti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Stundenbuch: IVe. Ecce homo "Pietà" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Stundenbuch: IVe. Ecce homo "Pietà" by Carl Rütti is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holy Spirit Mass: Creator Spirit | Kim André Arnesen, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Major | 0 | 7B | 64 BPM | ||
| Stundenbuch: IVd. Ecce homo "Schmerz versteinerte die Schwelle" | Carl Rütti | E Minor | 0 | 9A | 64 BPM | ||
| Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Look Down, O Lord | Jonathan Seers, The Gesualdo Six, Owain Park | A♭ Minor | 1 | 1A | 86 BPM | ||
| Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
| Petite Symphonie Concertante: Adagio - Allegro con moto | Frank Martin, Chantal Mathieu, Verena Graf, Carl Rütti, Edmond De Stoutz, Zürcher Kammerorchester | C Major | 2 | 8B | 113 BPM | ||
| Lux aeterna: II. In te, Domine, speravi - Live | Morten Lauridsen, Bavarian Radio Chorus, Munich Radio Orchestra, Joseph R. Olefirowicz | G Major | 0 | 9B | 133 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Three Latin Motets: II. Ave, Maria | Cecilia McDowall, Phoenix Chorale, Charles Bruffy | B Major | 1 | 1B | 131 BPM | ||
| All-Night Vigil, Op. 37: XIII. The Troparion. "Today Salvation Has Come to the World" | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy | E Major | 1 | 12B | 123 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| Ad Pacem (Towards Peace) | Karl Jenkins, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | D Major | 0 | 10B | 83 BPM | ||
| Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
| Advent Antiphon | James MacMillan, Anna Steppler, Choir of Merton College, Oxford, Christopher Watson, Benjamin Nicholas | B Minor | 1 | 10A | 74 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| Tongues of Fire | Carl Rütti, Martin Heini, Rainer Held, The State Philharmonic Chamber Orchestra of Novosibirsk | C Major | 0 | 8B | 58 BPM | ||
| Nunc avemus et laudemus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Exodus-Messe for mixed choir and organ: VII. Agnus Dei | Carl Rütti, Martin Hobi | B Major | 1 | 1B | 133 BPM | ||
| Tenebrae factae sunt à 4 | Blasius Amon, Huelgas Ensemble, Paul Van Nevel | F Major | 1 | 7B | 84 BPM | ||
| Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | ||
| Dowland-Suite: Fantasia | Carl Rütti, B-Five Recorder Consort | A♭ Major | 0 | 4B | 131 BPM | ||
| Magnificat | Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson | G Major | 1 | 9B | 85 BPM | ||
| Requiem for the Living: III. Agnus Dei | Providence Singers, Christine Noel | B♭ Minor | 0 | 3A | 95 BPM | ||
| All-night Vigil, Op. 44: Blagoslovi, dushe moya, Ghospoda | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | G Major | 1 | 9B | 132 BPM | ||
| Lux aeterna: III. O nata lux - Live | Morten Lauridsen, Bavarian Radio Chorus, Munich Radio Orchestra, Joseph R. Olefirowicz | D Major | 1 | 10B | 80 BPM |