- BPM
- 62
- Key
- E Minor
- Camelot
- 9A
Seascapes, Op. 53 by Ruth Gipps, Erie County Chamber Winds, Rick Fleming Song Details
"Seascapes, Op. 53" by Ruth Gipps, Erie County Chamber Winds, Rick Fleming had its release date on February 25, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Trois sélections pour Chamber Winds". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Seascapes, Op. 53 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Seascapes, Op. 53 by Ruth Gipps, Erie County Chamber Winds, Rick Fleming having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -26.924 dB
- Acousticness
- 99%
- Danceability
- 21%
- Energy
- 2%
- Instrumentalness
- 88%
- Liveness
- 14%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | |
 | Canzonetta in E-Flat Major, Op. 19 | Gabriel Pierné, Ludmila Peterková, Irina Kondratenko | E♭ Major | 1 | 5B | 69 BPM | |
 | 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | F Major | 0 | 7B | 95 BPM | |
 | Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | |
 | Sibelius: Karelia Suite, Op. 11: II. Ballade | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | |
 | Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | |
 | 2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | |
 | Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | |
 | Theme and Variations, Op. 42 | Erich Wolfgang Korngold, John Wilson, Sinfonia Of London | B Major | 0 | 1B | 87 BPM | |
 | A Cotswold Hill Tune | Charles Wilfrid Orr, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 80 BPM | |
 | Symphony No. 1 in F Minor, Op. 22: III. Allegro | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | |
 | Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | G Major | 1 | 9B | 80 BPM | |
 | Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | |
 | Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | |
 | Pavane pour une infante défunte, M. 19 | Maurice Ravel, Jorge Mester, Melbourne Symphony Orchestra | G Major | 0 | 9B | 71 BPM | |
 | Abendlied, Op. 107 No. 6 | Robert Schumann, Neeme Järvi, Detroit Symphony Orchestra | D♭ Major | 0 | 3B | 78 BPM | |
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | |
 | Variations on a Rococo Theme, Op. 33, TH 57: Var. V: Allegro moderato | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | A Major | 0 | 11B | 107 BPM | |
 | Oboe Concerto in A Minor: I. Rondo Pastorale | Ralph Vaughan Williams, Nicholas Daniel, Britten Sinfonia, James MacMillan | E♭ Major | 1 | 5B | 142 BPM | |
 | Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | |
 | On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | |
| Ambarvalia, Op. 70 | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | |
 | Sibelius: Impromptu for String Orchestra (From Impromptu, Op. 5) | Jean Sibelius, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | A Major | 4 | 11B | 98 BPM | |
 | Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | |
 | Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | G Major | 1 | 9B | 80 BPM |
- ISRC
- USVZX1321904
- Label
- L-M Records/RCA Records