Julius Benedict, Paul Austin Kelly, David Harper's 'Benedict: Presso quel rio che piange' had a release date set for 2006. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Benedict: Presso quel rio che piange's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Il Salotto Vol. 9: Ora divina (The Sublime Hour)" album is number 11 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Benedict: Presso quel rio che piange is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Benedict: Presso quel rio che piange by Julius Benedict, Paul Austin Kelly, David Harper to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
| Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM | ||
| Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
| La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
| The Queen of Spades, Op. 68: Introduction | Pyotr Ilyich Tchaikovsky, Boris Khaikin, Bolshoi Theatre Orchestra | D Major | 2 | 10B | 176 BPM | ||
| Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt' eine Vilja, ein Waldmägdelein" (Hanna) | Franz Lehár, Karita Mattila, Yutaka Sado, London Philharmonic Orchestra | G Major | 1 | 9B | 176 BPM | ||
| Songs of Travel: Whither Must I Wander? | Ralph Vaughan Williams, David John Pike, Isabelle Trüb | E Major | 3 | 12B | 92 BPM | ||
| Mother Dear | Sumi Jo | G Major | 3 | 9B | 91 BPM | ||
| Libiamo ne lieti calici - La Traviata | I Musici Veneziani | B♭ Major | 2 | 6B | 207 BPM | ||
| Come raggio di sol | Antonio Caldara, Holly Bewlay, Sarah Rhee | C Minor | 1 | 5A | 77 BPM | ||
| L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
| Benedict: L'inganno Felice: "Bella immagin del mio bene" (Isabella) | Julius Benedict, Diana Montague, David Parry, Philharmonia Orchestra | E♭ Major | 1 | 5B | 79 BPM | ||
| Die Zauberflöte, K. 620: Der Hölle Rache | Wolfgang Amadeus Mozart, James Levine, Zdislawa Donat, Wiener Philharmoniker | F Major | 1 | 7B | 148 BPM | ||
| Macbeth: Act IV: Una macchia e qui tutt'ora (Lady Macbeth, a Doctor, a Lady's Maid) | Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari | D♭ Major | 1 | 3B | 113 BPM | ||
| Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, The Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
| Per pieta, bell'idol mio | Vincenzo Bellini, Cecilia Bartoli, James Levine | C Minor | 2 | 5A | 105 BPM | ||
| La traviata, Act II: Alfredo, Alfredo, di questo core | Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Sherrill Milnes, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Carlos Kleiber, Bavarian State Orchestra | E♭ Major | 2 | 5B | 78 BPM | ||
| L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | ||
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Benedict: I'm Alone (Eily) | Julius Benedict, John Oxenford, Dion Boucicault, Uel Deane, Eric Hinds, Veronica Dunne, Orchestra, Havelock Nelson | E♭ Major | 0 | 5B | 72 BPM | ||
| Caro mio ben | Tommaso Giordani, Holly Bewlay, Sarah Rhee | E♭ Major | 0 | 5B | 101 BPM | ||
| La Traviata: Act I: Sempre libera | Giuseppe Verdi, Fernando Previtali, Anna Moffo, Rome Opera Orchestra | A♭ Major | 1 | 4B | 178 BPM | ||
| Libiamo Ne' Lieti Calici (Brindisi) - La Traviata Atto I | Renata Tebaldi | B♭ Major | 3 | 6B | 134 BPM |