"SOLA PERDUTA E ABBANDONATA, RIELABORAZIONE TENEBROSA" by Mario Conte had its release date on January 20, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 29 in the song's album "The Opera! Arias For An Eclipse (Original Motion Picture Soundtrack)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Italy. In terms of popularity, SOLA PERDUTA E ABBANDONATA, RIELABORAZIONE TENEBROSA is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With SOLA PERDUTA E ABBANDONATA, RIELABORAZIONE TENEBROSA by Mario Conte having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
| La bohème, SC 67: O soave fanciulla | Giacomo Puccini, Jonathan Tetelman, Federica Lombardi, PKF – Prague Philharmonia, Carlo Rizzi | G Major | 2 | 9B | 79 BPM | ||
| Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act I: "Va! pour Kleinzach" (Hoffmann, Nathanaël, Chorus) | Jacques Offenbach, Michael Spyres, Choeur de l'Opéra national du Rhin, Mario Montalbano, Marko Letonja, Orchestre Philharmonique De Strasbourg | G Major | 0 | 9B | 107 BPM | ||
| Aida, Act I: Possente, possente Fthà | Giuseppe Verdi, Lucia Valentini Terrani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
| Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
| Mattinata | Andrea Bocelli, Orchestra del Teatro Comunale di Bologna, Leone Magiera | E Major | 5 | 12B | 78 BPM | ||
| Deux chansons: No. 2, Chanson de l'adieu | Dilyana Georgieva, Galina Apostolova | E Major | 1 | 12B | 79 BPM | ||
| SON LO SPIRITO CHE NEGA, MEFISTOFELE (feat. Erwin Schrott) | Mario Conte, Erwin Schrott | D♭ Minor | 2 | 12A | 108 BPM | ||
| Venezia | Mark Padmore | G Minor | 1 | 6A | 116 BPM | ||
| Rusalka: Song to the Moon | Antonín Dvořák, Olga Peretyatko, Miguel Gomez-Martinez | F♯ Major | 2 | 2B | 89 BPM | ||
| Mandoline, L. 29 | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Le nozze die Figaro, K. 492, Act IV: Giunse alfin il momento... Deh vieni non tardar (Susanna) | Wolfgang Amadeus Mozart, Regula Mühlemann, Umberto Benedetti Michelangeli | G Major | 0 | 9B | 95 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
| Divine Gregorian Opera 1870 | Rick Oli | C Major | 4 | 8B | 153 BPM | ||
| Silenzio assenso - Bonus track | EPO, Ciro Tuzzi, Mario Conte, Giuseppe Innaro | A Major | 4 | 11B | 130 BPM | ||
| Sous le dome epais | Elin Manahan Thomas | B Major | 3 | 1B | 74 BPM | ||
| I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
| Catarì - Bonus track | EPO, Ciro Tuzzi, Mario Conte, Giuseppe Innaro | A Minor | 4 | 8A | 127 BPM | ||
| Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel, José van Dam, Kenneth Riegel, Kiri Te Kanawa, John Macurdy, Edda Moser, Malcolm King | A Major | 1 | 11B | 93 BPM | ||
| Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 85 BPM |