Ann Rachlin's 'More Danger For The Swans' had a release date set for 1986. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Swan Lake -The Story Of The Ballet". In this album, this song's track order is #7. In terms of popularity, More Danger For The Swans is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With More Danger For The Swans by Ann Rachlin having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
| No Where To Go But Up (from "Mary Poppins Returns") | Guy Dearden | B Minor | 4 | 10A | 140 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | ||
| The Man from Snowy River (Arr. for Piano & Chamber Orchestra by Sam Abramson) | Bruce Rowland, BYU Chamber Orchestra, Nathan Haines, Molly Smith | D Major | 2 | 10B | 83 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Minor | 1 | 9A | 114 BPM | ||
| Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
| Fantasia on Greensleeve (Excerpt) | Ralph Vaughan Williams, Adelaide Symphony Orchestra, Ron Spigelman | C Minor | 0 | 5A | 79 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| Annie | Charles Strouse, Richard Hayman Symphony Orchestra, Richard Hayman | C Major | 2 | 8B | 91 BPM | ||
| Kapitel 9 - Der kleine Lord - Märchenklassiker Folge 2 | Titania Special, Friedrich Schoenfelder, Evelyn Maron, Lucas Mertens, Frances Hodgson Burnett | F Minor | 5 | 4A | 102 BPM | ||
| Shattered Echoes | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Act 2: Prelude to Act Two / The Witch's Ride - Orchestra | Engelbert Humperdinck, Milwaukee Symphony Orchestra, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | F Major | 2 | 7B | 90 BPM | ||
| The Carnival of the Animals: 5. The Elephant | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| crowd | maxflow | G Minor | 4 | 6A | 142 BPM | ||
| Samuel and Eli | Hugo the Hippo | D Major | 4 | 10B | 78 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | A♭ Major | 1 | 4B | 88 BPM | ||
| Chapter 3 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | F♯ Minor | 3 | 11A | 106 BPM | ||
| フルート4重奏のための 想い出は銀の笛 5 ブルー・パステル | Lynx | A Minor | 1 | 8A | 65 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| The Brave Pine Tree | Ann Rachlin | E Minor | 1 | 9A | 146 BPM | ||
| Heather On the Hill - Instrumental Reprise | MGM Studio Orchestra, Johnny Green | F♯ Minor | 1 | 11A | 88 BPM | ||
| The Human Comedy, Op. 37: The Theme of Paris | Dmitri Shostakovich, Malmö Opera Orchestra, Mark Fitz-Gerald | A♭ Major | 0 | 4B | 82 BPM | ||
| Fauré / Orch. Rabaud: Dolly, Op. 56: I. Berceuse | Gabriel Fauré, Orchestre National de France/Sir Thomas Beecham, Sir Thomas Beecham, Orchestre National De France | F♯ Major | 1 | 2B | 83 BPM |