- BPM
- 140
- Key
- D Minor
- Camelot
- 7A
Antibes by Gaia Duo Song Details
Gaia Duo's ' "Antibes" was released on its scheduled release date, April 7, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "Stone, Salt & Sky: Beamish | Maconchy | Strachan | R Clarke". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Antibes's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
With Antibes by Gaia Duo having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.374 dB
- Acousticness
- 97%
- Danceability
- 34%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 45%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | |
 | Taglietti: Il canto del cigno | Giulio Taglietti, Christina Pluhar, L'Arpeggiata, Diana Vinagre | C Minor | 0 | 5A | 135 BPM | |
 | Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM | |
 | Duo (Theme and Variations): IV. Variation III Allegro commodo – | Gaia Duo, Elizabeth Maconchy | G Major | 1 | 9B | 146 BPM | |
 | Concerto in B minor for Double-bass and Orchestra: 1. Allegro moderato | Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra | G Major | 1 | 9B | 92 BPM | |
 | La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
 | Verdi: String Quartet in E Minor: III. Prestissimo | Giuseppe Verdi, Quartetto Noûs | G Major | 1 | 9B | 120 BPM | |
 | Cello Sonata in A Minor: III. Adagio | Henriette Bosmans, Raphaela Gromes, Julian Riem | C Major | 1 | 8B | 69 BPM | |
 | String Quartet No. 13, 3rd Movement | Antonín Dvořák, vision string quartet | D Minor | 2 | 7A | 106 BPM | |
 | Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | |
 | Xàfec de Llum I Tenebres: IV. Iridiscente | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | |
| Cello Concerto in F Major: I. Allegro moderato | Marie Jaell, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina | C Major | 1 | 8B | 69 BPM | |
 | 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | |
 | Lachrimae, or Seaven Teares: No. 1, Lachrimae Antiquae | John Dowland, Christian-Pierre La Marca | A♭ Minor | 1 | 1A | 100 BPM | |
 | Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | |
 | Violin Concerto: IIa. Fugue, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Florin Paul, Ludovic Bács | G Major | 4 | 9B | 72 BPM | |
| Duo (Theme and Variations): VIII. Variation VII Lento serioso | Gaia Duo, Elizabeth Maconchy | F Major | 0 | 7B | 80 BPM | |
 | Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | |
 | El cant dels ocells: El cant dels ocells | Pablo Casals, Gropius Quartett, Indira Koch, Alexia Eichhorn, Wolfgang Emanuel Schmidt, Friedemann Eichhorn | A Minor | 0 | 8A | 87 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D Minor | 2 | 7A | 106 BPM | |
 | Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | |
 | Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | |
 | La Folia - Arranged for Cello and Accordeon | Mario Brunello, Ivano Battiston | C Major | 0 | 8B | 141 BPM | |
 | Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | |
 | Sis Sonets: Dels quatre vents | Eduard Toldrà, Mac McClure, Juan Carlos Higuita | F Major | 2 | 7B | 129 BPM |
- ISRC
- GBEBL2326315
- Label
- L-M Records/RCA Records