"The Bird" by John Duke, Ruth Ann Swenson had its release date on January 1, 1996. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruth Ann Swenson's "I Carry Your Heart" album is number 19 out of 20. On top of that, United States appears to be the country where this track was created. The Bird is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Bird by John Duke, Ruth Ann Swenson to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral | Benjamin Britten, Aldeburgh Strings, Markus Däunert, Richard Watkins, Allan Clayton | E♭ Minor | 0 | 2A | 130 BPM | ||
| Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
| Hébée Op. 2 N°6 | Ernest Chausson, Susan Manoff, Sandrine Piau | A Minor | 0 | 8A | 86 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Manon, Act II: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM | ||
| Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | F♯ Minor | 1 | 11A | 167 BPM | ||
| Weber: 6 Lieder, Op. 15: No. 6, Er an Sie, J. 57, "Ein Echo kenn' ich" (Andantino) | Carl Maria von Weber, Hermann Prey, Leonard Hokanson | C Major | 0 | 8B | 134 BPM | ||
| Stabat Mater, FP 148: 5. Quis est homo | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 3 | 8A | 97 BPM | ||
| Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | ||
| Oh! quand je dors, S. 282 (2nd Version) | Franz Liszt, Samuel Mariño, Jonathan Ware | E Major | 0 | 12B | 125 BPM | ||
| Cradle Song | Peter Warlock, Ian Bostridge, Julius Drake | G Minor | 0 | 6A | 138 BPM | ||
| Wie der Hirsch schreit, Op. 42, MWV A15: Recitative. Mein Gott, betrubt ist (Soprano) | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 1 | 6A | 92 BPM | ||
| Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
| Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Somervell: Love in Spring-Time: No. 3, Young Love Lies Sleeping | Arthur Somervell, Anna Leese, Graham Johnson | A♭ Major | 1 | 4B | 73 BPM | ||
| Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Six Poems by Emily Dickinson | Carole Bogard, John Duke | D♭ Minor | 1 | 12A | 137 BPM | ||
| Luke Havergal | John Duke, Donald Sulzen, James Taylor | D Major | 0 | 10B | 69 BPM | ||
| Six Lieder, Op. 13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
| Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM |