"水のいのち 川" by 高田三郎, 神戸中央合唱団, 高田江里, 根津弘 had its release date on January 22, 1997. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 日本合唱曲全集/高田 三郎 作品集1, so we believe that "水のいのち 川" is a single. 水のいのち 川 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 水のいのち 川 by 高田三郎, 神戸中央合唱団, 高田江里, 根津弘 is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 雅楽の旋法による聖母讃歌 [Assumpta Est Maria] | 高田三郎, コーロ・ブリランテ | G Major | 0 | 9B | 72 BPM | ||
| Bookes of Ayres, Book 2: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 99 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Jerusalem: And did those feet in ancient time (Jerusalem) | Hubert Parry, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | D Major | 2 | 10B | 96 BPM | ||
| Stabat mater | Zoltán Kodály, Pecs Bela Bartok Male Choir, Tamás Lakner | D Minor | 1 | 7A | 93 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | A♭ Minor | 1 | 1A | 72 BPM | ||
| Songs of Travel: Whither must I wander? | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | C Minor | 1 | 5A | 117 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: III. Rouse Thee, My Fainting Soul – Be Merciful, Be Gracious | Edward Elgar, David Butt Philip, Huddersfield Choral Society, The Orchestra Of Opera North, Martyn Brabbins | A♭ Minor | 1 | 1A | 72 BPM | ||
| Chichester Psalms: I. Psalm 108:2, Urah, hanevel, v'chinor! - Psalm 100, Hariu l'Adonai kol haarets | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| A Red, Red Rose | James Mulholland, Kansas City Chorale, Charles Bruffy | D Major | 0 | 10B | 82 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
| Tantum ergo | Déodat de Séverac, Oxford Schola Cantorum, Jeremy Summerly | A Minor | 0 | 8A | 76 BPM | ||
| Das Lied von der Erde: III. Von der Jugend. Behaglich, heiter | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | A♭ Minor | 1 | 1A | 72 BPM | ||
| Seven Poems by James Joyce, R. 51: VII. Now, O now, in this brown land | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| Seven Poems by James Joyce, R. 51: V. Donnycarney | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| We Shall Walk Through the Valley in Peace | The National Lutheran Choir | E♭ Major | 0 | 5B | 129 BPM | ||
| In Remembrance | Eleanor Daley, Atlanta Master Chorale | E Major | 1 | 12B | 107 BPM | ||
| Tuhan Menjagamu | Jakarta Oratorio Society | F Major | 1 | 7B | 66 BPM | ||
| 背くらべ | 合唱団 京都エコー | D Major | 2 | 10B | 111 BPM | ||
| Midnight Call | Alberto Moggi, Giuseppe Brittanni, Jacopo Polimeno, Brandt Martin, Royal Philarmonic Cunes | F Minor | 1 | 4A | 90 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 0 | 10B | 73 BPM | ||
| In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven) | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus | B♭ Minor | 0 | 3A | 82 BPM | ||
| Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM |