Mark Richardson's ' "Affliction" was released on its scheduled release date, April 4, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Rattle". In this album, this song's track order is #1. Based on our statistics, Affliction's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Affliction by Mark Richardson having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Peter and the Wolf, Op. 67: And Now This Is How Things Stood | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Major | 0 | 9B | 99 BPM | ||
| Candide / Act I: 5. It Must Be So | Leonard Bernstein, Jerry Hadley, London Symphony Orchestra | G Major | 0 | 9B | 81 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Wie du warst! Wie du bist!" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | B Major | 1 | 1B | 88 BPM | ||
| Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Tosca, S.69 / Act 1: "Tre sbirri, una carrozza" | Giacomo Puccini, Bryn Terfel, Balcarras Crafoord, Swedish Radio Symphony Orchestra, Paul Daniel, Swedish Radio Choir, Arne Lundmark | C Minor | 3 | 5A | 71 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
| Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: III. Rouse Thee, My Fainting Soul – Be Merciful, Be Gracious | Edward Elgar, David Butt Philip, Huddersfield Choral Society, The Orchestra Of Opera North, Martyn Brabbins | A♭ Major | 1 | 4B | 126 BPM | ||
| Cavalleria Rusticana (1987 - Remaster): Viva il vino spumeggiante (Turiddu/Coro/Lola) | Pietro Mascagni, José Carreras, Riccardo Muti, Philharmonia Orchestra | G Major | 3 | 9B | 70 BPM | ||
| Otello - Fire of Rejoicing | Giuseppe Verdi, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner, Ernst Stoy | B♭ Major | 1 | 6B | 139 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "Go return upon thy way" | Felix Mendelssohn, Edinburgh Festival Chorus, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Minor | 2 | 3A | 82 BPM | ||
| Wagner: Lohengrin, Act 3: "Heil! König Heinrich!" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | F Minor | 0 | 4A | 83 BPM | ||
| Chorus Mysticus: Alles Vergangliche ist nur ein Gleichnis (Chorus) | Julius Röntgen, Machteld Baumans, Marcel Beekman, Andre Morsch, Andreas Post, Mark Richardson, Dennis Wilgenhof, Gijs van Schoonhoven, Koor van de Nationale Reisopera, Netherlands Symphony Orchestra, David Porcelijn | B♭ Major | 1 | 6B | 89 BPM | ||
| 183 - Cristo Jesus é a Porta dos céus | Orquestra Sacra | D Major | 1 | 10B | 101 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Carmen, WD 31, Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM | ||
| 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
| 22. Now for the pirates lair! | Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams | D♭ Major | 1 | 3B | 89 BPM | ||
| The Pirates of Penzance: When the foeman bares his steel | Arthur Sullivan, Valerie Masterson, Jean Allister, Owen Brannigan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | C Major | 2 | 8B | 121 BPM | ||
| 18. When Britain really ruled the waves | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 2 | 11B | 75 BPM | ||
| Gounod: Faust, Act 2: "O sainte médaille, qui me viens de ma sœur" (Valentin, Wagner, Siebel, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | D♭ Major | 1 | 3B | 103 BPM | ||
| Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
| Parry: I Was Glad | Hubert Parry, Choir of King's College, Cambridge, Cambridge University Musical Society Chorus, Royal Military School Of Music Band, New Philharmonia Orchestra, Philip Ledger | B♭ Major | 3 | 6B | 68 BPM |