Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton's 'Intelligence, Act Two: Scene 3, It cannot be true' had a release date set for August 29, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges's "Jake Heggie: Intelligence" album is number 4 out of 25. Intelligence, Act Two: Scene 3, It cannot be true is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intelligence, Act Two: Scene 3, It cannot be true by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simon Boccanegra, Prologue: L'altra magion vedete? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | C Major | 1 | 8B | 103 BPM | ||
| Newer Every Day: I. Silence | Jake Heggie, Emily Dickinson, Melissa Davis, Jerry Wong | E Minor | 2 | 9A | 69 BPM | ||
| Gilgamesh, Tablet 9: Deep | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 76 BPM | ||
| Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Natural Selection: Animal Passion | Jake Heggie | A Minor | 2 | 8A | 82 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| Tosca: Vissi d'arte (Piano Reduction) - Live at Metropolitan Opera, New York, 2023 | Giacomo Puccini, Lise Davidsen, James Baillieu | C Major | 1 | 8B | 103 BPM | ||
| Petite messe solennelle, Gloria: V. Gratias | Gioachino Rossini, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | A Major | 1 | 11B | 99 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung | Robert Schumann, Margaret Price, James Lockhart | A♭ Major | 1 | 4B | 192 BPM | ||
| I Shall Not Live in Vain | Jake Heggie, Scot Weir, Jan Czajkowski | E Major | 1 | 12B | 135 BPM | ||
| Gilgamesh, Tablet 4: Fear | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM | ||
| Bellini: I puritani: "O di Cromwell guerrieri, pieghiam la mente e il cor" (Bruno, Elvira, Arturo, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | C Major | 1 | 8B | 103 BPM | ||
| Intelligence, Act Two: Scene 1, What is in the ashes? | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, J'nai Bridges | B♭ Minor | 4 | 3A | 135 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | C Major | 1 | 8B | 103 BPM | ||
| La ville morte, Act I: Eros invaincu au combat | Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin | C Major | 1 | 8B | 103 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: XIII. Softly and Gently "Angel's Farewell" | Edward Elgar, Karen Cargill, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | C Major | 1 | 8B | 103 BPM | ||
| Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
| Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Jolivet : Poèmes intimes : I Amour | André Jolivet, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 1 | 12B | 74 BPM | ||
| Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | ||
| V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
| Alessandro, HWV 21: Sarò qual vento - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent | F♯ Minor | 3 | 11A | 144 BPM |