"Love Divine, All Loves Excelling" by Ned Rorem, St Martin's Voices, Andrew Earis had its release date on March 28, 2025. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Rorem: Choral Works". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Love Divine, All Loves Excelling is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Love Divine, All Loves Excelling by Ned Rorem, St Martin's Voices, Andrew Earis having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liszt: Années de pèlerinage, Première année "Suisse", S. 160: No. 2, Au lac de Wallenstadt | Franz Liszt, György Cziffra | A♭ Major | 0 | 4B | 136 BPM | ||
| Préludes: II. Chant d'extase dans un paysage triste | Olivier Messiaen, Jan Lisiecki | D Minor | 3 | 7A | 112 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | F Minor | 0 | 4A | 70 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Belshazzar's Feast, JS 48: Alla marcia | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | F Minor | 1 | 4A | 113 BPM | ||
| Suite francaise d'après Claude Gervaise, Bransle de bourgogne | Francis Poulenc, Alexandre Tharaud | C Major | 1 | 8B | 90 BPM | ||
| 24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice) | Dmitri Shostakovich, Alexander Melnikov | A Minor | 0 | 8A | 73 BPM | ||
| Die Kommissarin (The Commissar): Spaziergange d. Wawilowa durch die Stadt | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 0 | 9A | 73 BPM | ||
| Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 62 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VIII. Vorpsiel | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | F Minor | 0 | 4A | 70 BPM | ||
| Goldberg Variations, BWV 988: Var. 30. a 1 Clav. Quodlibet - Live at Carnegie Hall, New York, 2025 | Johann Sebastian Bach, Yunchan Lim | F Minor | 0 | 4A | 70 BPM | ||
| Three Bach Transcriptions: Chorale "Agnus Dei" from Mass in B Minor | Johann Sebastian Bach, Simone Dinnerstein | C Major | 0 | 8B | 138 BPM | ||
| Symphony No. 1 in E Major, Op. 26: II. Allegro dramatico | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Bartók: For Children, Sz. 42, Book IV "Slovakian Folk Songs": No. 76, The Hidden Horse. Poco allegretto | Béla Bartók, Dezsö Ranki | G Minor | 0 | 6A | 70 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Yesterday's Dreams | Helen Habershon, John Lenehan | F Major | 0 | 7B | 197 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Liszt: Recueillement, S. 204 | Franz Liszt, Stephen Hough | B Major | 0 | 1B | 133 BPM | ||
| Blumenleben, Op. 19: No. 7, Lilien | Dora Pejačević, Natasa Veljkovic | C Major | 3 | 8B | 80 BPM |