- BPM
- 116
- Key
- D♭ Major
- Camelot
- 3B
The End Of The World by Dudley Moore, Beyond The Fringe Song Details
Dudley Moore, Beyond The Fringe's 'The End Of The World' had a release date set for January 1, 1962. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 10 in Beyond The Fringe by Dudley Moore, Beyond The Fringe, Alan Bennett, Jonathan Miller, Peter Cook. In terms of popularity, The End Of The World is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
BPM and Tempo
The tempo marking of The End Of The World by Dudley Moore, Beyond The Fringe is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -24.262 dB
- Acousticness
- 89%
- Danceability
- 60%
- Energy
- 19%
- Instrumentalness
- 0%
- Liveness
- 70%
- Loudness
- 60%
- Speechiness
- 69%
- Valence
- 30%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d) | Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | |
 | I Love You Samantha | Dudley Moore | E Minor | 4 | 9A | 88 BPM | |
 | Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Myron Bloom, Orchestre de Paris, Daniel Barenboim | G Major | 0 | 9B | 76 BPM | |
 | Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | |
 | Elgar / Orch. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | |
 | Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | |
 | Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) | George Fenton | F♯ Major | 0 | 2B | 65 BPM | |
 | Eclogue Op. 10 | Gerald Finzi, Tom Poster, Aurora Orchestra, Nicholas Collon | F Minor | 0 | 4A | 69 BPM | |
 | Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla | Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | G Major | 1 | 9B | 124 BPM | |
 | Bedazzled | Peter Cook, Dudley Moore | D Major | 7 | 10B | 107 BPM | |
 | Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | |
 | Chanson de Matin, Op. 15, No. 2 | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | G Major | 1 | 9B | 78 BPM | |
 | Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | |
 | The Worst Job I Ever Had - Live | Dudley Moore, Peter Cook | G Major | 2 | 9B | 122 BPM | |
 | Strictly for the Birds | Cleo Laine, Dudley Moore | F♯ Minor | 2 | 11A | 115 BPM | |
 | The Detective | Dudley Moore | E Minor | 3 | 9A | 96 BPM | |
 | Piano Concerto No. 2 in F, Op. 102: 2. Andante | Dmitri Shostakovich, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | C Minor | 0 | 5A | 72 BPM | |
 | The Sadder And Wiser Beaver | Dudley Moore, Peter Cook, Alan Bennett | D♭ Major | 2 | 3B | 123 BPM | |
 | Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | |
 | Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | |
| Cynthia | Dudley Moore | C Minor | 4 | 5A | 106 BPM | |
 | Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | |
 | Forgotten Dreams | Leory Anderson and His Orchestra | D Major | 1 | 10B | 95 BPM | |
 | Smoke Gets In Your Eyes | Jerome Kern, Amy Dickson, London Session Orchestra | E♭ Major | 1 | 5B | 85 BPM | |
 | Mini Drama | Peter Cook, Dudley Moore | D Major | 3 | 10B | 61 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records