Carl Philipp Emanuel Bach, Michael Rische, Leipziger Kammerorchester, Morten Schuldt-Jensen's 'Keyboard Concerto in C Major, Wq. 112/1, H. 190: II. Largo' had a release date set for August 2, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 9 in C.P.E. Bach: Piano Concertos by Carl Philipp Emanuel Bach, Michael Rische, Morten Schuldt-Jensen, Leipziger Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Keyboard Concerto in C Major, Wq. 112/1, H. 190: II. Largo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Keyboard Concerto in C Major, Wq. 112/1, H. 190: II. Largo by Carl Philipp Emanuel Bach, Michael Rische, Leipziger Kammerorchester, Morten Schuldt-Jensen is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 5 in D Major: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Campania Chamber Orchestra, Luigi Piovano | D Minor | 0 | 7A | 105 BPM | ||
| Flute Concerto in G Minor, QV 5:196: I. Allegro di molto, ma con brio | Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble | F Major | 2 | 7B | 145 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Keyboard Sonata in E Major, Wq. 65/29, H. 83: II. Andante | Carl Philipp Emanuel Bach, Christopher Hinterhuber | D♭ Major | 0 | 3B | 87 BPM | ||
| Symphony No. 1 in E Major: II. Andantino | John Abraham Fisher, Czech Philharmonic Chamber Orchestra, Petra Žďárská, Michael Halasz | A Major | 0 | 11B | 112 BPM | ||
| Keyboard Suite No. 3 in D Minor, HWV 428: III. Allemande | George Frideric Handel, Korkmaz Can Sağlam | D Minor | 1 | 7A | 124 BPM | ||
| Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 2. Rezitativ, "Dort seh' ich aus den Toren" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | D Major | 4 | 10B | 124 BPM | ||
| Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude | Henry Purcell, Emil Klein | G Minor | 2 | 6A | 136 BPM | ||
| Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
| Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
| Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
| Suite in G Major (Excerpts): IX. L'egyptienne | Jean-Philippe Rameau, Jorge Federico Osorio | G Minor | 1 | 6A | 97 BPM | ||
| Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
| Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
| String Quartet No. 2 in D Major, K. 155: III. Molto allegro | Eder Quartet | D Major | 1 | 10B | 153 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Largo | Georg Philipp Telemann, Kolner Kammerorchester, Helmut Müller-Brühl | E Major | 0 | 12B | 95 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
| Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto | Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd | F Major | 1 | 7B | 134 BPM | ||
| Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: IV. Andante - [Allegro] da capo | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 2 | 12B | 151 BPM | ||
| Song Without Words In a Minor No.2 Opus 19, Book I | Felix Mendelssohn, Bertrand Chamayou | A Minor | 0 | 8A | 117 BPM | ||
| Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile | Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl | F♯ Minor | 3 | 11A | 178 BPM | ||
| [Suite in D Minor]: Allemande in D Minor, Gustafson 36 | Louis Couperin, Pavel Kolesnikov | F♯ Minor | 1 | 11A | 72 BPM | ||
| Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 4. Aria, "Mein Geist, voll Furcht und Freude, beben!" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | B Minor | 3 | 10A | 85 BPM |