Ralph Vaughan Williams, Amy Dickson, Daniel de Borah's ' "Six Studies in English Folk-Song: II. Andante sostenuto" was released on its scheduled release date, April 5, 2019. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Amy Dickson's "In Circles" album is number 15 out of 20. On top of that, Australia appears to be the country where this track was created. Six Studies in English Folk-Song: II. Andante sostenuto is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Six Studies in English Folk-Song: II. Andante sostenuto by Ralph Vaughan Williams, Amy Dickson, Daniel de Borah to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 64 BPM | ||
| Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | ||
| Siciliana (from "The Tree of Life", Arr. for Piano from Antiche Danze, Suite No. 3 by Ottorino Respighi) | Ottorino Respighi, Olga Scheps | E♭ Major | 0 | 5B | 69 BPM | ||
| Lieder ohne Worte VIII, Op. 102: I. Andante un poco agitato, MWV U162 (Arr. Ottensamer for Clarinet & Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | E Minor | 0 | 9A | 133 BPM | ||
| Myrthen, Op. 25: I. Widmung (Arr. for Cello & Piano) | Robert Schumann, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 175 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| 4 Pictures for Piano Duet: No. 2, Quite Slow and Thoughtful | Edward Gregson, Murray McLachlan, Rose McLachlan | A Major | 0 | 11B | 70 BPM | ||
| Keyboard Sonata in F Major, Kk. 446 (Arr. for Piano by Ignaz Friedman) | Domenico Scarlatti, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
| Six Pieces for Piano, Op. 118: II. Intermezzo in A Major. Andante teneramente (Arr. Popov for Clarinet and Piano) | Johannes Brahms, Andreas Ottensamer, Yuja Wang | A Major | 0 | 11B | 71 BPM | ||
| Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
| Vater Unser (Version for Cello and Piano) | Arvo Pärt, Camille Thomas, Julien Brocal | A Minor | 0 | 8A | 63 BPM | ||
| Gabriel Fauré Après Un Rêve | Josef Karlicek, Petr Karlicek | F Minor | 1 | 4A | 108 BPM | ||
| Fear no more the heat of the sun, Op.18, No.3 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 0 | 5A | 84 BPM | ||
| Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | ||
| Rain Falling from the Roof | Wu Tong, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 126 BPM | ||
| Désir | Dan Evmark, Paula Gustafsson | D Minor | 1 | 7A | 134 BPM | ||
| Moon River (Arr. for Celllo and Guitar) | Jan Vogler, Ismo Eskelinen | G Major | 2 | 9B | 175 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Les cygnes | Henri Büsser, Eva Oertle, Consuelo Giulianelli | A Major | 1 | 11B | 106 BPM | ||
| Korngold: Suite, Op. 23: IV. Lied. Schlicht und innig | Erich Wolfgang Korngold, Edgar Moreau, Raphaëlle Moreau, David Moreau, Jérémie Moreau | F♯ Major | 1 | 2B | 71 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Lights And Shadows | Nat Bartsch, Anita Quayle, Tamara Murphy, Maddison Carter, Robbie Melville, Xani Kolac | F Major | 2 | 7B | 100 BPM | ||
| Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | ||
| Pastels, Op. 3: No. 3 Song of Autumn | Aleksandr Gretchaninov, Jeremy Cullen | E♭ Major | 2 | 5B | 99 BPM |