Erwin Schulhoff, Sarah Rumer, Ulrich Koella's ' "Sonata for Flute and Piano: II. Scherzo" was released on its scheduled release date, June 2, 2023. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 4 in the song's album "Schulhoff: Sonata for Flute and Piano". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Sonata for Flute and Piano: II. Scherzo's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sonata for Flute and Piano: II. Scherzo by Erwin Schulhoff, Sarah Rumer, Ulrich Koella having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Honegger : Symphony No.1 in C major : II Adagio | Arthur Honegger, Charles Dutoit, Bavarian Radio Symphony Orchestra | B Major | 0 | 1B | 78 BPM | ||
| Suite, Op. 157b: I. Ouverture | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D♭ Major | 0 | 3B | 66 BPM | ||
| Sonata erotica, "Nicht doch" | Erwin Schulhoff, Loes Luca | C Minor | 0 | 5A | 81 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | A♭ Major | 1 | 4B | 196 BPM | ||
| The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction 2. Largo e cantabile | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | ||
| Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | A♭ Major | 1 | 4B | 196 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | A♭ Major | 1 | 4B | 196 BPM | ||
| 5 Pieces for String Quartet: No. 4, Alla tango milonga | Erwin Schulhoff, Gallia Kastner, Adam Millstein, Cara Pogossian, Ben Solomonow | D Major | 1 | 10B | 90 BPM | ||
| Piano Concerto in C Major, Op. 39: II. Pezzo giocoso. Vivacemente, ma senza fretta - Live | Ferruccio Busoni, Boston Symphony Orchestra, Sakari Oramo, Kirill Gerstein | F♯ Minor | 2 | 11A | 100 BPM | ||
| String Quartet No. 2: I. Allegro agitato | Erwin Schulhoff, Aviv Quartet | C Major | 3 | 8B | 115 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Friedenswerke | Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | D Major | 1 | 10B | 56 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | G Major | 0 | 9B | 88 BPM | ||
| Quatuor pour hautbois, violon, violoncelle et piano, H.315: I. Moderato poco Allegro | Bohuslav Martinů, Philippe Tondre, Danae Dörken, Sarah Christian, Maximilian Hornung | A♭ Major | 1 | 4B | 196 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | E♭ Minor | 0 | 2A | 68 BPM | ||
| String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | C Major | 2 | 8B | 85 BPM | ||
| From Honey to Ashes: VIII. Alba | Stephen Goss, Francisco Correa, Emily Andrews | A♭ Major | 1 | 4B | 196 BPM | ||
| Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | D♭ Major | 1 | 3B | 101 BPM | ||
| Lieder ohne Worte II, Op. 30: IV. Agitato e con fuoco, MWV U98 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Major | 3 | 9B | 111 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM |