"In Memoriam Sir Vincent Scott, Op. 9: I. Introduktion" by Helmut Rogl, Martin Rummel, Florian Feilmair had its release date on April 1, 2010. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Helmut Rogl, Martin Rummel's "Helmut Rogl: Complete Cello Works so Far" album is number 5 out of 12. On top of that, Austria appears to be the country where this track was created. Based on our statistics, In Memoriam Sir Vincent Scott, Op. 9: I. Introduktion's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In Memoriam Sir Vincent Scott, Op. 9: I. Introduktion by Helmut Rogl, Martin Rummel, Florian Feilmair to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 屋根裏の旋律 | SIE Sound Team, Yutaka Minobe | D Minor | 0 | 7A | 99 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, Solem Quartet | G Major | 1 | 9B | 74 BPM | ||
| Bachianas Brasileiras No. 5 | Heitor Villa-Lobos, Branford Marsalis, Andrew Litton, English Chamber Orchestra | D Minor | 1 | 7A | 64 BPM | ||
| GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra | Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips | G Major | 1 | 9B | 117 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| Message from Uunam | Anime Zing | D♭ Minor | 2 | 12A | 96 BPM | ||
| Bloch: From Jewish Life: II. Supplication | Ernest Bloch, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester | C Major | 0 | 8B | 86 BPM | ||
| She's Slender Like a Plane-Tree (Arr. for String Quartet by Sergei Aslamazyan) | Komitas, Bechtler Ensemble | E♭ Major | 1 | 5B | 62 BPM | ||
| Spartacus: Scene of the Gaditanae Maidens | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | ||
| Concerto Grosso #1 - 4. Fugue | Howard Hanson | G Major | 0 | 9B | 58 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | G Major | 0 | 9B | 58 BPM | ||
| 16 Songs for Children, Op. 54: No. 10, Lullaby in a Storm - Arr. for Cello & String Orchestra by P. Lyubomudrov | Pyotr Ilyich Tchaikovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | F Minor | 1 | 4A | 82 BPM | ||
| In Memoriam Sir Vincent Scott, Op. 9: I. Introduktion | Helmut Rogl, Martin Rummel, Florian Feilmair | A Major | 2 | 11B | 140 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | D Major | 2 | 10B | 101 BPM | ||
| Pärt: Darf ich... | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | F♯ Minor | 2 | 11A | 71 BPM | ||
| From Jewish Folk Poetry, Op. 79: X. The Young Girl's Song (Arr. for Cello and String Orchestra) | Dmitri Shostakovich, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | G Minor | 1 | 6A | 156 BPM | ||
| 不浄 | Taku Iwasaki | D♭ Major | 6 | 3B | 82 BPM | ||
| Symphony for 8 | Cello Octet Amsterdam | F Major | 1 | 7B | 175 BPM | ||
| Symphonic Miniatures, Op. 54: Festmusik - Live | Helmut Rogl, Sinfonia Christkönig, Eduard Matscheko | G Major | 1 | 9B | 139 BPM | ||
| Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland, Hanna Wolczedska | A Minor | 0 | 8A | 101 BPM | ||
| Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | A Minor | 2 | 8A | 87 BPM | ||
| String Quartet In F Major, M.35: 2. Assez vif. Très rythmé | Maurice Ravel, Quatuor Ysaÿe | C Major | 0 | 8B | 79 BPM | ||
| Main Titles - From "Marco Polo" | The City of Prague Philharmonic Orchestra | G Major | 2 | 9B | 123 BPM |