Ramdas Kamat's ' "Anande Naat Ti" was released on its scheduled release date, February 5, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Ramdas Kamat". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Anande Naat Ti is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Anande Naat Ti by Ramdas Kamat having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Commentary And Pandurang Kanti | Prof.Ram Shevalkar, Asha Bhosle | F♯ Major | 4 | 2B | 170 BPM | ||
| Ooth Mukunda Ooth Sridhara | Anuradha Paudwal | D Major | 1 | 10B | 173 BPM | ||
| Narsobachya Vadeela | Ajeet Kumar Kadkade | E♭ Major | 4 | 5B | 120 BPM | ||
| Koushalyecha Ram Bai | Manik Varma | G Major | 5 | 9B | 128 BPM | ||
| Chitta Nirantar | Koili Devi | A Major | 4 | 11B | 96 BPM | ||
| Vimal Adhari Nikat Moha | Ramdas Kamat, Nilakshi Juvekar | C Major | 7 | 8B | 107 BPM | ||
| Nisha | Hazir | G Major | 3 | 9B | 100 BPM | ||
| Dheer Kaise: Raag Bageshri (Drut Ektaal) | Ronkini Gupta | E Major | 3 | 12B | 104 BPM | ||
| Tya Kowalya Phulancha | Shridhar Phadke | F♯ Major | 4 | 2B | 148 BPM | ||
| Na To Caravan Ki Talash Hai - Film-Barsaat Ki Raat With Commentry | Manna Dey, Asha Bhosle, Sudha Malhotra, S. D. Batish, Various Artists | D♭ Major | 4 | 3B | 94 BPM | ||
| Janiyancha Raja Guru Maharaj | Bhimsen Joshi | F♯ Minor | 3 | 11A | 77 BPM | ||
| Sakhi He Hamardukhak Nahi Oor | Sarda Sinha | C Major | 3 | 8B | 161 BPM | ||
| Dhund Madhumati | Lata Mangeshkar | E♭ Minor | 2 | 2A | 98 BPM | ||
| Ja dile mann tula | Salil Kulkarni | B Major | 5 | 1B | 150 BPM | ||
| Ravi Mee Ha Chandra Kasa | Bharat Balvalli | F♯ Major | 7 | 2B | 98 BPM | ||
| Namaste Smarannye Shibe | Shankarlal Mukherjee, Birendra Krishna Bhadra | B♭ Major | 3 | 6B | 124 BPM | ||
| Dongar Kathadi Thakaradi | Ravindra, Chandrakant Kale | A Major | 5 | 11B | 138 BPM | ||
| Dev Maza Vithu Sawala | Suman Kalyanpur | A Major | 3 | 11B | 70 BPM | ||
| Navika Re Vara Vahe Re | Suman Kalyanpur | B♭ Major | 3 | 6B | 136 BPM | ||
| Ajuni Rusun Ahe | Bhuvanesh Komkali | F Minor | 6 | 4A | 102 BPM | ||
| Marathi Pavool Padate Pudhe | Lata Mangeshkar, Usha Mangeshkar, Hridaynath Mangeshkar, Hemant Kumar | D Major | 4 | 10B | 114 BPM | ||
| Anande Naat Ti | Ramdas Kamat | F♯ Major | 6 | 2B | 107 BPM | ||
| Naman Natwara | Rajesh Datar | B Major | 4 | 1B | 101 BPM | ||
| Rimjhim Zarati Shravandhara | Suman Kalyanpur | A♭ Minor | 2 | 1A | 110 BPM | ||
| Dattaguruchi Aarti | R.N. Paradkar | F♯ Major | 4 | 2B | 87 BPM |