Alan Bush, Adam Summerhayes's 'Three Râga Melodies, Op. 59: No. 1, Himavirdani Rậga' had a release date set for 2004. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 18 in Bush: Chamber Music, Vol. 2 by Alan Bush, Adam Summerhayes, Catherine Summerhayes. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Three Râga Melodies, Op. 59: No. 1, Himavirdani Rậga is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Râga Melodies, Op. 59: No. 1, Himavirdani Rậga by Alan Bush, Adam Summerhayes is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aladdin Suite, Op. 34, FS 89: V. The Marketplace in Isaphan | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | G Major | 2 | 9B | 119 BPM | ||
| Piano Concerto No. 5 In C Major, H. 39, "L'incendie Par L'orage": II. Adagio | Benjamin Frith, Royal Northern Sinfonia, John Field | C Major | 0 | 8B | 72 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Grandes études de Paganini, S. 141: La campanella - Excerpt | Franz Liszt, Marc-André Hamelin | A♭ Major | 1 | 4B | 101 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | E♭ Minor | 0 | 2A | 136 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 1, Modéré | Maurice Ravel, Cecile Ousset | E Minor | 1 | 9A | 134 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | E♭ Minor | 0 | 2A | 136 BPM | ||
| Stravinsky: Fireworks, Op. 4 | Igor Stravinsky, Melbourne Symphony Orchestra, Hiroyuki Iwaki | E Major | 2 | 12B | 62 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | E♭ Minor | 0 | 2A | 136 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | E♭ Minor | 0 | 2A | 136 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Sinfonia antartica "Symphony No. 7": II. Scherzo. Moderato | Ralph Vaughan Williams, BBC Symphony Orchestra, Martyn Brabbins | B♭ Major | 2 | 6B | 125 BPM | ||
| Rapsodie espagnole, M. 54a (Version for 2 Pianos): II. Malagueña | Maurice Ravel, Vladimir Ashkenazy, Vovka Ashkenazy | A♭ Minor | 1 | 1A | 97 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | E♭ Minor | 0 | 2A | 136 BPM | ||
| Petrouchka: Chez Petrouchka | Ferenc Fricsay, Berliner Philharmoniker | E Minor | 3 | 9A | 89 BPM | ||
| Two Preludes & Fugues, Op. 108: Prelude in Dorian Mode on G Major | Alan Bush, Adam Summerhayes, Catherine Summerhayes | A♭ Major | 1 | 4B | 137 BPM | ||
| Etudes-tableaux, Op. 33: No. 5 in E-Flat Minor. Non allegro – Presto | Sergei Rachmaninoff, Steven Osborne | E Minor | 1 | 9A | 95 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | E♭ Minor | 0 | 2A | 136 BPM | ||
| Fauré: Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande. Molto adagio | Gabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne | D Minor | 0 | 7A | 79 BPM | ||
| 24 Preludes, No. 22 | Alan Bush, Peter Jacobs | E Minor | 2 | 9A | 165 BPM | ||
| Symphony No. 5, Op. 64: IVc. Missa brevis. Credo in unum Deum | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| Symphony No. 1, GMW 11: IVc. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM |