Jerry Goldsmith's 'Bud And Lynn' had a release date set for 1997. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jerry Goldsmith's "L.A. Confidential (Original Motion Picture Score / Deluxe Edition)" album is number 10 out of 39. On top of that, United States appears to be the country where this track was created. Bud And Lynn is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bud And Lynn by Jerry Goldsmith to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Title | Alex North | D Minor | 2 | 7A | 114 BPM | ||
| Mumia Attack - From “The Mummy” Soundtrack | Jerry Goldsmith | F Minor | 3 | 4A | 84 BPM | ||
| This Is A Tale... | Nigel Westlake | C Major | 3 | 8B | 103 BPM | ||
| Kay And Mike's Love Theme - From The "Jaws 3D" Soundtrack | Alan Parker | F Major | 1 | 7B | 72 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Corso | Wojciech Kilar | A Minor | 1 | 8A | 128 BPM | ||
| He’s The One Alright | Don Davis | D Minor | 3 | 7A | 134 BPM | ||
| Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM | ||
| Close Encounters of the Third Kind: Main Theme | Royal Philharmonic Orchestra | G Major | 3 | 9B | 85 BPM | ||
| Burning Books | Harald Kloser | E Minor | 0 | 9A | 111 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| Drive Montage | Basil Poledouris | B♭ Major | 3 | 6B | 123 BPM | ||
| Goodbye Jack | John Carpenter | D Minor | 0 | 7A | 75 BPM | ||
| The Mandalorian - Orchestral Version | Ludwig Göransson | D Minor | 2 | 7A | 83 BPM | ||
| Airport (Main Title) | Alfred Newman | C Minor | 4 | 5A | 89 BPM | ||
| The Voyage To Mordor; Theme From The Lord Of The Rings | Leonard Rosenman | B♭ Major | 3 | 6B | 120 BPM | ||
| Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM | ||
| Welcome To The Real World | Don Davis | C Minor | 0 | 5A | 142 BPM | ||
| The Goldeneye Overture (Part I: Half Of Everything Is Luck/Part II: The Other Half Is Fate/Part III: For England, James) | Éric Serra | B♭ Minor | 5 | 3A | 99 BPM | ||
| The Highlander Theme Highlander - The Final Dimension | Diverse | D Minor | 1 | 7A | 83 BPM | ||
| Prelude - Main Title | Miklós Rózsa | D♭ Major | 3 | 3B | 135 BPM | ||
| Assassination - Star Trek VI/Soundtrack Version | Cliff Eidelman | G Major | 0 | 9B | 68 BPM | ||
| Slave Children's Crusade | John Williams | F Major | 5 | 7B | 90 BPM | ||
| The Buoyant Swordsman | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 4 | 7A | 106 BPM | ||
| Kristallnacht | Ilan Eshkeri | G Minor | 2 | 6A | 105 BPM |