Bijli Rani, Ajay Pandey's ' "Rang Aa Gulaal Ke" was released on its scheduled release date, February 17, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Phagun Mein Driver Milal". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Rang Aa Gulaal Ke's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Rang Aa Gulaal Ke by Bijli Rani, Ajay Pandey having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saare Shikwe Gile Bhoola Ke | Dimple Bhumi | F Major | 9 | 7B | 143 BPM | ||
| Mor Nav Ke Godana Godale | Ratan Sabiha | F♯ Major | 7 | 2B | 133 BPM | ||
| Lawle Mohabbaat Ke Teblet | Sunil Chhaila Bihari, Tripti Shakya | D♭ Major | 8 | 3B | 135 BPM | ||
| Bondhu Tin Tinta Chithi Dilam | Momtaz | G Major | 6 | 9B | 160 BPM | ||
| Bish Khawaiya Mayrala | Emon Khan | F♯ Major | 6 | 2B | 136 BPM | ||
| Haay Re Jiyara | Bijli Rani | A♭ Major | 9 | 4B | 139 BPM | ||
| Hum Kaise Bhulaai | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| Mera Tera Manwa Kaise | Madan Gopal | G Minor | 5 | 6A | 87 BPM | ||
| Munjho Kinhan Te | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Mor Nav Ke Godna | Gore Lal Brman | F Minor | 6 | 4A | 80 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Ka Bhaile Matiya Mein | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Bewafa Tha Wafa Bhi Kya Karta | Dilshad Zakhmi | G Minor | 8 | 6A | 108 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Jhamlo Jagayo Thara Nam Ko | Sukhdev Bharti | F Major | 9 | 7B | 90 BPM | ||
| Ninu Matrame Ne Nammanaya | Telugu Christian Music | F♯ Major | 6 | 2B | 136 BPM | ||
| Mere Lagya Opra Rog Marghat Aali | Mukesh Sharma | E♭ Major | 10 | 5B | 134 BPM | ||
| Thoorpu Konda Veligi | Gangaputra Narasinga Rao | A Minor | 8 | 8A | 77 BPM | ||
| Neek Rahal Mor Ghar Ke Kheti | Madan Rai | B Minor | 5 | 10A | 108 BPM | ||
| Sai Sevakchi Palkhi Chalali Shirdi Gavi | Jayesh Parab | A♭ Major | 9 | 4B | 180 BPM | ||
| Dulha Vama Kaniya | Poonam Mishra | A Major | 9 | 11B | 95 BPM | ||
| Lale Lal Bhawani | Kunj Bihari Mishr | F♯ Minor | 8 | 11A | 150 BPM | ||
| Lotan Kabutar Atariya Ke Ooper | Bijli Rani | F Minor | 8 | 4A | 102 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM |