- BPM
- 175
- Key
- E♭ Major
- Camelot
- 5B
Book of Hours: Vespers (Evensong) by Ned Rorem, The Fibonacci Sequence Song Details
"Book of Hours: Vespers (Evensong)" by Ned Rorem, The Fibonacci Sequence had its release date on February 23, 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 16 in the song's album "Rorem: End of Summer / Book of Hours / Bright Music". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. The popularity of Book of Hours: Vespers (Evensong) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Book of Hours: Vespers (Evensong) by Ned Rorem, The Fibonacci Sequence having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -22.585 dB
- Acousticness
- 97%
- Danceability
- 22%
- Energy
- 11%
- Instrumentalness
- 67%
- Liveness
- 11%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Música callada I: No. 2, Lent | Federico Mompou, Stephen Hough | E Minor | 0 | 9A | 86 BPM | |
 | Symphony No. 2: Tranquillo | Bournemouth Symphony Orchestra, Ned Rorem | B♭ Minor | 1 | 3A | 96 BPM | |
 | Down a Country Lane | Aaron Copland, David Northington | A♭ Major | 0 | 4B | 130 BPM | |
 | Âme de Nuit, Op. 12: II. La nuit | Elise Bertrand, Adèle Charvet, Nathanaël Gouin | G Minor | 1 | 6A | 76 BPM | |
 | Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | |
 | Choralgesänge: No. 71, Du, o schönes Weltgebäude, BWV 301 | Johann Sebastian Bach, Alessandro Simonetto | G Minor | 1 | 6A | 76 BPM | |
 | Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | |
 | Piesn Roksany - Transcription for violin and Piano: Paul Kochanski | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A Minor | 0 | 8A | 75 BPM | |
 | Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | G Minor | 1 | 6A | 76 BPM | |
 | Maktah (berceuse phoque) (Chants de la jungle no.2) | Maurice Delage, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | E♭ Major | 0 | 5B | 128 BPM | |
 | Jūra, MKČ 102: V. Recapitulation | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | |
 | Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM | |
 | Concerto for English Horn and Orchestra: II. Love Letter | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | B♭ Major | 0 | 6B | 108 BPM | |
 | Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | |
 | Bright Music: Fandango | Ned Rorem, The Fibonacci Sequence | C Major | 1 | 8B | 90 BPM | |
 | Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | G Minor | 1 | 6A | 76 BPM | |
 | String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | |
 | Pärt: 7 Magnificat-Antiphonen: No. 4, O Schlüssel Davids (1991 Version) | Arvo Pärt, Vasari Singers, Jeremy Backhouse | D♭ Minor | 1 | 12A | 101 BPM | |
 | Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | |
 | Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | G Minor | 1 | 6A | 76 BPM | |
 | Concierto para Piano y Orquesta No. 2, "de los Lienzos Olvidados": I. Evanescente - Live | Ramón Paus, Eduardo Fernandez, Orquesta de Extremadura, Iván López Reynoso | C Major | 1 | 8B | 119 BPM | |
 | Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | G Minor | 1 | 6A | 76 BPM | |
 | Davidsbündlertänze, Op. 6: No. 18, Nicht schnell | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | |
 | Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | |
 | Piano Concerto No. 2: II. Quiet And Sad | Simon Mulligan, Royal Scottish National Orchestra, Joee, Ned Rorem | A♭ Minor | 1 | 1A | 80 BPM |
- ISRC
- HKI190222210
- Label
- L-M Records/RCA Records