- BPM
- 167
- Key
- F Major
- Camelot
- 7B
Andante favori in F Major, WoO 57 by Ludwig van Beethoven, Alfred Brendel Song Details
"Andante favori in F Major, WoO 57" by Ludwig van Beethoven, Alfred Brendel had its release date on January 1, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in Beethoven: Piano Sonatas Opp.53 "Waldstein", 54 & 101; Andante favori by Ludwig van Beethoven, Alfred Brendel. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Andante favori in F Major, WoO 57 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Andante favori in F Major, WoO 57 by Ludwig van Beethoven, Alfred Brendel is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 16%
- Loudness
- -24.314 dB
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 11%
- Instrumentalness
- 89%
- Liveness
- 6%
- Loudness
- 59%
- Speechiness
- 6%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | |
 | Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo | Carl Maria von Weber, Andreas Ottensamer, Berliner Philharmoniker, Mariss Jansons | F Major | 1 | 7B | 136 BPM | |
 | Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | |
 | The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | |
 | Piano Concerto No. 2, Op. 16: II. Andante cantabile | Sam Cramer, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 69 BPM | |
 | Keyboard Sonata in F Minor, K. 466 | Domenico Scarlatti, Jean-Yves Thibaudet | F Minor | 1 | 4A | 89 BPM | |
 | Liszt: 6 Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Mariam Batsashvili | D♭ Major | 0 | 3B | 75 BPM | |
 | Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Boris Giltburg | B Major | 0 | 1B | 86 BPM | |
 | Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | |
 | Symphony Concertante in D Major, Op. 20: III. Polonaise | Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths | D Major | 2 | 10B | 93 BPM | |
 | 3 Waltzes, Op. 34: II. Lento in A Minor | Frédéric Chopin, Hélène Grimaud | A Minor | 0 | 8A | 69 BPM | |
 | Elizabethan Serenade | Ronald Binge, New London Orchestra, Ronald Corp | F Major | 0 | 7B | 153 BPM | |
 | Suite for Strings after 12 Violin Sonatas, Op. 5: I. Sarabanda. Largo | Arcangelo Corelli, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 88 BPM | |
 | Eliza Aria (Arr. for Violin and String Ensemble by François Vallières and Angèle Dubeau) | Elena Kats-Chernin, Angèle Dubeau, La Pietà | F Major | 2 | 7B | 146 BPM | |
 | Dvorák: Legends for Orchestra, Op. 59, No. 6 | Antonín Dvořák, San Francisco Symphony, Michael Tilson Thomas | D♭ Major | 0 | 3B | 77 BPM | |
 | Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | |
 | 2 Clavier-Sonaten, 2 Fantasien und 2 Rondos für Kenner und Liebhaber, Wq. 59: IV. Rondo in C Minor, H. 283 | Carl Philipp Emanuel Bach, Daniil Trifonov | A♭ Major | 1 | 4B | 98 BPM | |
 | Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Minor | 1 | 8A | 107 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse | Antonín Dvořák, Orpheus Chamber Orchestra | A Major | 0 | 11B | 85 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: 1. Vorspiel (Allegro moderato) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | C Minor | 2 | 5A | 166 BPM | |
 | Canon in D Major for Strings and Continuo | City of London Sinfonia, Andrew Watkinson | D Major | 2 | 10B | 111 BPM | |
 | Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | |
 | Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) | George Fenton | F♯ Major | 0 | 2B | 65 BPM | |
 | Sinfonia Veneziana: I. Allegro assai | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 100 BPM | |
 | Nocturne No. 3 in A Flat Major, H.26 | John Field, Elizabeth Joy Roe | A♭ Major | 0 | 4B | 73 BPM |
- ISRC
- NLA509301610
- Label
- L-M Records/RCA Records