"Diversion" by Bernhard Heiden, Eugene Rousseau, Winds of Indiana, Frederick Fennell had its release date on January 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Winds Of Indiana: Saxophone Vocalise by Frederick Fennell. The song's track number on the album is #2 out of 9 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Diversion's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Diversion by Bernhard Heiden, Eugene Rousseau, Winds of Indiana, Frederick Fennell has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Diversion being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Garland of Sonnets, Op. 44: No. 2, Andante | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Minor | 1 | 4A | 67 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: I. Adagio ma non tropo | Oskar Böhme, Center City Brass Quintet, Jack Sutte | E♭ Minor | 1 | 2A | 101 BPM | ||
| Concertino in E flat, J109 (Op. 26): III: Rondo (Allegretto) | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | G Minor | 0 | 6A | 68 BPM | ||
| Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | ||
| Blazhevich: Duet No. 1: I | Vladislav Blazhevich, Christian Lindberg, Joseph Alessi | B♭ Major | 1 | 6B | 67 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: II. Allegro moderato | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | D Minor | 1 | 7A | 132 BPM | ||
| Horn Sonata: II. Tempo di minuetto | Bernhard Heiden, Janine Gaboury-Sly, Deborah Moriarty | B♭ Minor | 0 | 3A | 101 BPM | ||
| Cinco Diferencias Sobre las Vacas | The Royal Wind Music, Capella Sancta María, Alfred Fernández | A♭ Minor | 0 | 1A | 140 BPM | ||
| Party Piece | Philip Sparke, Bastien Baumet, Géraldine Dutroncy | E♭ Major | 1 | 5B | 125 BPM | ||
| Concertino for String Orchestra: I. Allegretto | Bernhard Heiden, German Chamber Academy Neuss, Johannes Goritzki | B♭ Major | 1 | 6B | 67 BPM | ||
| III. The Last Adventure | Ricardo Mollá, Esteban Batallán, Ricardo Mollá Albero, Alberto Urretxo, Bilbao Symphony Orchestra | F Major | 0 | 7B | 132 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: III. Andante cantabile | Oskar Böhme, Center City Brass Quintet, Jack Sutte | E♭ Major | 2 | 5B | 101 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Euphonium Concerto: I. Allegro assai | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | A Major | 1 | 11B | 72 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| Sonata for 2 Pianos: II. Ostinato | Bernhard Heiden, Cordula Hacke, Leonard Hokanson | A Minor | 0 | 8A | 68 BPM | ||
| Ruslan and Lyudmila: Overture | Mikhail Glinka, German Brass | C Major | 2 | 8B | 161 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | B♭ Major | 1 | 6B | 67 BPM | ||
| Four Movements for Saxophone Quartet and Timpani: II. Allegro molto | Bernhard Heiden, Andrew J. Allen, Matthew Tracy, Gregory Dewhirst, Andy Wright, Gordon Hicken | C Minor | 1 | 5A | 151 BPM | ||
| Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM | ||
| Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Major | 0 | 5B | 126 BPM | ||
| Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Saxophone Sonata in C-Sharp Major: I. Tres modéré, expressif | Fernande Decruck, Claude Delangle, Odile Delangle | E Major | 0 | 12B | 107 BPM |