On January 1, 2008, the song "Dhimik Dhimik Dhim" was released by Rishi Nityapragyan. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in Aradhana by Rishi Nityapragyan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Dhimik Dhimik Dhim is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Dhimik Dhimik Dhim by Rishi Nityapragyan is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kanhaiya Tumhe Ek Najar Dekhna Hai | Roshni Pandey | A Minor | 8 | 8A | 140 BPM | ||
| Ram Naam Bhajale Pyare | Sarvesh Mishra | B♭ Major | 3 | 6B | 127 BPM | ||
| Chota Sa Mandir Banayenge | Manish Tiwari | A Minor | 2 | 8A | 88 BPM | ||
| Anant Koti Brahmand Nayak | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Sammed Shikhar Ki Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| Ma Esheche Moder Ki Ar | Ramakrishna Math, Swami Narendrananda | F Minor | 6 | 4A | 110 BPM | ||
| Sharade Jaya Sharade | Sri Sathya Sai Bhajans | E♭ Major | 5 | 5B | 134 BPM | ||
| Sai Baba Ki Sunlo Kahani | Manish Tiwari | E♭ Minor | 4 | 2A | 132 BPM | ||
| He Satguru Mata Ji | Shuchi Arora, Amrit Bhen Kanpur | C Minor | 4 | 5A | 98 BPM | ||
| Main To Giridhar Ke Ghar Jaoon | Susmita Das | D♭ Major | 5 | 3B | 140 BPM | ||
| Radha Raman Pyaro | Shridhay Shri Mridul krishna shastri ji maharaj | B♭ Minor | 7 | 3A | 103 BPM | ||
| Nikunj Mein Biraje Ghanshyam | Pandit Jasraj, Roop Kumar Rathod, Purushottam Upadhyay, Ravindra Sathe | F Major | 8 | 7B | 146 BPM | ||
| Baba Jab Bhi Jisne | Sanjay Mittal | E Minor | 7 | 9A | 90 BPM | ||
| Aarti Ho Dev Jambheshwar Dev | Sameer Bishnoi | D♭ Major | 8 | 3B | 90 BPM | ||
| Maiya Sudh Nahi Bisaru | Shahnaz Akhtar | D♭ Major | 5 | 3B | 105 BPM | ||
| Swami Stavan - Nahi Janma Nahi Naam | Shubhangi Joshi | G Major | 3 | 9B | 150 BPM | ||
| Vishwa Lochani | Bhanumathi Narasimhan | C Major | 2 | 8B | 77 BPM | ||
| LAD LADAVO LALANE | Nidhi Dholkia | A♭ Major | 7 | 4B | 140 BPM | ||
| Bolya Shreehari Re | Hariprabodham | F Minor | 6 | 4A | 80 BPM | ||
| Jai Jai Radhavallabh Sri Harivansh | Shri Rajendra Das Ji Maharaj Malook Peeth | B♭ Major | 3 | 6B | 122 BPM | ||
| Manjeero Satar | Hari Bharwad | B Major | 4 | 1B | 103 BPM | ||
| Jai Gange Mata | Anjali Jain | F♯ Major | 8 | 2B | 93 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Vasudeva Jai Jai | Dr. Manikantan Menon | F Minor | 5 | 4A | 85 BPM | ||
| Gauranga Sundara | Sachi kumar Das | F Minor | 6 | 4A | 78 BPM |