John Ireland, David Garforth, English Chamber Orchestra's 'A Downland Suite (Arr. for String Orchestra): IV. Rondo' had a release date set for July 1, 1985. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Garforth, English Chamber Orchestra's "Ireland: A Downland Suite & Other Works - Bridge: Suite for String Orchestra" album is number 4 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, A Downland Suite (Arr. for String Orchestra): IV. Rondo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Downland Suite (Arr. for String Orchestra): IV. Rondo by John Ireland, David Garforth, English Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
| I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
| In Paradisum | Galina Grigorjeva, Estonian Philharmonic Chamber Choir, Paul Hillier | E Minor | 1 | 9A | 77 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| All-Night Vigil, Op.37: All-Night Vigil, Op.37: VI. Rejoice, O Virgin | Sergei Rachmaninoff, Estonian Philharmonic Chamber Choir, Paul Hillier | E Major | 3 | 12B | 124 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 88 BPM | ||
| Lullaby for string orchestra | George Gershwin, The Cleveland Orchestra, Riccardo Chailly | G Major | 0 | 9B | 94 BPM | ||
| Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 124 BPM | ||
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
| Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | D Major | 1 | 10B | 129 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | C Minor | 2 | 5A | 34 BPM | ||
| Sea Fever | John Ireland, Roderick Williams, Iain Burnside | E Minor | 1 | 9A | 112 BPM | ||
| Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 131 BPM |