"À Paganini. Andante" by Alfred Schnittke, Ning Feng had its release date on January 1, 2010. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Solo". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, À Paganini. Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With À Paganini. Andante by Alfred Schnittke, Ning Feng having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) | Henry Purcell, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 82 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Clowns und Kinder Suite (Arr. for Violin & Piano by Frank Strobel & Takénori Némoto): II. Intermezzo | Alfred Schnittke, Chiharu Taki, Yoshito Numasawa | C Minor | 2 | 5A | 96 BPM | ||
| Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 6. Sehr langsam | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | G Major | 0 | 9B | 0 BPM | ||
| Story of an Unknown Actor, Op. 125: I. Those Free Butterflies | Alfred Schnittke, Metamorphose String Orchestra, Pavel Lyubomudrov | G Minor | 4 | 6A | 125 BPM | ||
| Gammal fabodpsalm fran Dalarna: No. 1 in A Major (arr. J. Johansson for orchestra) [Old Pastoral Hymn from Dalecarlia] | Wilhelm Stenhammar, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | A Major | 2 | 11B | 85 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| The Red Violin Caprices: Theme | John Corigliano, Philippe Quint | A Minor | 0 | 8A | 0 BPM | ||
| Violin Sonata No. 1: IV. Allegretto scherzando | Alfred Schnittke, Chiharu Taki, Yoshito Numasawa | C Major | 3 | 8B | 117 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Stockhausen: Tierkreis, for Trumpet und Organ: IX. Waage - Libra (23.09-22.10) - Venus (=71) | Karlheinz Stockhausen, Markus Stockhausen | D Major | 0 | 10B | 70 BPM | ||
| Messa da Requiem: Requiem aeternam | Giuseppe Verdi, Elena Filipova, Gloria Scalchi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | E♭ Minor | 0 | 2A | 130 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | G Major | 0 | 9B | 81 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Symphony No. 5, Op. 107, "Reformation": III. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | G Minor | 0 | 6A | 72 BPM | ||
| String Octet in C Major, Op. 7 (Version for String Orchestra): I. Très modéré | George Enescu, Tabea Zimmermann, Ensemble Resonanz | E♭ Major | 0 | 5B | 78 BPM | ||
| Walton: Henry V: Passacaglia "The Death of Falstaff" | William Walton, Douglas Boyd, Chamber Orchestra of Europe | E Minor | 0 | 9A | 86 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Marina Tarasova, Musica Viva Chamber Orchestra, Alexander Rudin | C Major | 4 | 8B | 107 BPM | ||
| Salomea | Jasmin Reuter, World Chamber Orchestra | A♭ Major | 2 | 4B | 122 BPM | ||
| Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM |