On February 28, 2009, the song "Kanha Re Kanha" was released by Amrish Dhawan. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Amrish Dhawan, Shoma Banerjee's "Jai Shri Krishna" album is number 2 out of 9. On top of that, India appears to be the country where this track was created. The popularity of Kanha Re Kanha is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Kanha Re Kanha by Amrish Dhawan to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shree Shivay Namastubhyyam | Shubham Rajput | B♭ Minor | 5 | 3A | 135 BPM | ||
| Baso Mere Nainan Mein Nandlal | Susmita Das | C Minor | 6 | 5A | 152 BPM | ||
| Sab Rang Bor Gayi | Shridhay Shri Mridul krishna shastri ji maharaj | B♭ Minor | 5 | 3A | 109 BPM | ||
| Mela Me Bela Machal Gai Re | Deshraj Narvariya, Geeta Devi | F♯ Major | 9 | 2B | 127 BPM | ||
| Tara Tara Bole | Parikshit Bala | F Minor | 4 | 4A | 86 BPM | ||
| Nanjanunda Nanjunda | Manjula Gururaj, Chandrika Gururaj | E Major | 4 | 12B | 159 BPM | ||
| Bolya Shreehari Re | Hariprabodham | F Minor | 6 | 4A | 80 BPM | ||
| Nachyo Bahut Gopal | Pt. Rattan Mohan Sharma | D Minor | 5 | 7A | 84 BPM | ||
| DHAAY DHAAY UNI AMBAMAAY | Aaba Chaudhari | A♭ Minor | 8 | 1A | 160 BPM | ||
| Dekha Chand Ne Sai Pratap | Shweta Rashmi, Amrish Dhawan | A Major | 7 | 11B | 86 BPM | ||
| He Sharde Maa He Sharde Maa | Ami Joshi | F Minor | 5 | 4A | 125 BPM | ||
| Ladli Apne Charno Mein Rakh Lo Mujhe | Rajesh Chandra | F♯ Major | 7 | 2B | 100 BPM | ||
| Sogandh Ram Ki Khate Hai | Prakash Mali | B♭ Major | 8 | 6B | 109 BPM | ||
| Jan Sewa Ka Vachan Nibhaya | Amrish Dhawan, Shweta Rashmi | E Major | 7 | 12B | 88 BPM | ||
| Mann Ki Aankh Se Sai Hate Na | Amrish Dhawan, Shweta Rashmi | E Major | 7 | 12B | 176 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Chalo Bhole Baba Ke Dware | Hariharan | A♭ Major | 5 | 4B | 114 BPM | ||
| Maa Saraswati Itni Mehar Karde Saraswati Bhajan | Vishal Khera | E♭ Minor | 5 | 2A | 141 BPM | ||
| Shri Mahakaleshwar Aarti Traditional | Binay Pathak, Chorus | E♭ Major | 8 | 5B | 144 BPM | ||
| Mohe Sumiran Sikha Do | Madan Gopal | G Minor | 4 | 6A | 132 BPM | ||
| Aarti Ho Rahi Re | Sanjo Baghel | F Minor | 5 | 4A | 120 BPM | ||
| Jaharveer Chalisa - Original | Arun Prajapati | B♭ Minor | 8 | 3A | 200 BPM | ||
| Goonj raha Shiv ka sandesh | Brahma Kumaris | G Major | 5 | 9B | 91 BPM | ||
| Sanwara Aao to Khari | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 8 | 4B | 99 BPM | ||
| Gaytri Mantra | Shahnaaz Akhtar | D♭ Minor | 5 | 12A | 83 BPM |