Max Reger, Walter Forchert, Bamberg Symphony, Horst Stein's 'Violin Concerto In A, Op. 101: 3. Allegro moderato (ma con spirito)' had a release date set for June 29, 2018. This song appears to be safe for all ages as it is not explicit. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Concertos, Sinfonietta" album is number 22 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Violin Concerto In A, Op. 101: 3. Allegro moderato (ma con spirito) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto In A, Op. 101: 3. Allegro moderato (ma con spirito) by Max Reger, Walter Forchert, Bamberg Symphony, Horst Stein to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Nocturne No. 5 in B-Flat Major, Op. 37 - Excerpt | Gabriel Fauré, Kathryn Stott | G Major | 1 | 9B | 71 BPM | ||
| Piano Concerto No. 12 in A Major, K. 414: I. Allegro | Wolfgang Amadeus Mozart, Saskia Giorgini, TrondheimSolistene | E Major | 1 | 12B | 91 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| Rêve d'enfant, Op. 14 | Eugène Ysaÿe, Natalia Lomeiko, Iván Martín | E Major | 1 | 12B | 68 BPM | ||
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | ||
| Piano Concerto, FP 146: 2. Andante con moto | Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 0 | 5B | 81 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Les saisons (The Seasons), Op. 37b: I. January: By the Fireside | Ilya Rachkovsky | E Major | 1 | 12B | 131 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 11. Allegro agitato | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| Piano Sonata in A Major, D. 664: II. Andante | Franz Schubert, Can Çakmur | D Major | 0 | 10B | 67 BPM | ||
| Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) | Henry Purcell, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 82 BPM | ||
| Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Psalm 100, Op. 106: 2. "Erkennet, daß der Herr Gott ist" | Max Reger, Bamberg Symphony, Horst Stein, Chor der Bamberger Symphoniker, Fritz Walter-Lindquist | D Major | 1 | 10B | 61 BPM | ||
| Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | ||
| Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | ||
| Brahms: 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. Cortot for Piano) | Johannes Brahms, Kenji Miura | E Major | 1 | 12B | 68 BPM | ||
| The Legend, Op. 17 | Henryk Wieniawski, Filharmonie Brno, Petr Altrichter, Jan Stanovsky | G Minor | 1 | 6A | 112 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | E Major | 1 | 12B | 68 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 4a, Prelude in E Minor | Dmitri Shostakovich, Sofia Sacco | G Major | 0 | 9B | 72 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | G Minor | 0 | 6A | 91 BPM | ||
| Schumann: Kinderszenen, Op. 15: VII. Träumerei (Arr. Trinkaus for Cello & Piano) | Robert Schumann, Taeguk Mun, Chi Ho Han | F Major | 0 | 7B | 170 BPM |