Rise Stevens's ''Neath the Southern Moon' had a release date set for November 22, 2024. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 'Neath the Southern Moon's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Risë Stevens Sings Victor Herbert Favorites". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Poland. 'Neath the Southern Moon is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 'Neath the Southern Moon by Rise Stevens having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | G Major | 1 | 9B | 66 BPM | ||
| Samson and Delilah (Highlights): Act I, Scene I, "Arrêtez, ô mes frères!" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | C Minor | 5 | 5A | 89 BPM | ||
| Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
| Mignon: Lothario! Wilhelm!... Je suis heureuse! | Ambroise Thomas, Rise Stevens, James Melton, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Coro, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | D Major | 1 | 10B | 169 BPM | ||
| The Princess of Pure Delight | Kenneth Bridges, Rise Stevens, John Reardon, Lady in the Dark Ensemble (1963) | F♯ Minor | 3 | 11A | 146 BPM | ||
| Je suis Escamillo, toréro de Grenade! (Carmen) | Robert Merrill, George Cehanovsky, RCA Victor Orchestra, Jan Peerce, Rise Stevens | D♭ Major | 3 | 3B | 81 BPM | ||
| La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM | ||
| Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| Lehár: Das Land des Lächelns, Act II: Tanzlied. "Im Salon zur blau'n Pagode" | Franz Lehár, Willi Boskovsky, Brigitte Lindner, Das Münchner Rundfunkorchester | B♭ Major | 1 | 6B | 73 BPM | ||
| Girl of the Moment | Rise Stevens, Lady in the Dark Ensemble (1963) | F Major | 4 | 7B | 97 BPM | ||
| Toyland | Rise Stevens | F Major | 1 | 7B | 74 BPM | ||
| Gala Sequence | Renata Tebaldi, Vienna Philharmonic, Herbert von Karajan | G Major | 2 | 9B | 93 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | G Major | 2 | 9B | 74 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
| Sympathy | Rise Stevens, Robert Merrill | D♭ Major | 1 | 3B | 104 BPM | ||
| Mignon: Mignon!... Wilhelm! | Ambroise Thomas, Ezio Pinza, James Melton, Rise Stevens, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Major | 0 | 8B | 139 BPM | ||
| Mignon: Me voici! Tu m'as rachetée | Ambroise Thomas, Rise Stevens, James Melton, Ezio Pinza, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM |