"沙羅: 鴉" by 清水 重道, 信時 潔, 木下保, 安藤寿康, 慶應義塾ワグネル・ソサエティー男声合唱団 had its release date on January 17, 2018. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 木下保の藝術~髙田三郎、信時潔合唱作品集~, so we believe that "沙羅: 鴉" is a single. 沙羅: 鴉 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 沙羅: 鴉 by 清水 重道, 信時 潔, 木下保, 安藤寿康, 慶應義塾ワグネル・ソサエティー男声合唱団 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound" | Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, London Symphony Orchestra | F Minor | 0 | 4A | 176 BPM | ||
| Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: V. Qui tollis | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | B♭ Minor | 1 | 3A | 79 BPM | ||
| Threni: De Elegia Tertia: II. Sensus spei | Igor Stravinsky, Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss, Berit Norbakken, Marianne Beate Kielland, Guy Cutting, Thomas Walker, Tobias Berndt | G Major | 1 | 9B | 109 BPM | ||
| Messa di Gloria, Op.posth., Credo: Crucifuxus etiam pro nobis | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 0 | 5A | 134 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra Bastille | D♭ Major | 2 | 3B | 80 BPM | ||
| L'Abbandono | Vincenzo Bellini, Cecilia Bartoli, James Levine | C Minor | 1 | 5A | 70 BPM | ||
| Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 92 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| Sauguet: Berceuse créole | Henri Sauguet, Régine Crespin, John Wustman | E♭ Major | 0 | 5B | 65 BPM | ||
| Lapis Philosophorum | Warsaw Philharmonic Orchestra & Choir | G Major | 0 | 9B | 84 BPM | ||
| Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
| Fauré: 2 Mélodies, Op. 1: No. 2, Mai | Gabriel Fauré, Janet Baker, Gerald Moore | F Major | 1 | 7B | 134 BPM | ||
| Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 1 | 8A | 92 BPM | ||
| Ein Sommernachtstraum (A Midsummer's Night Dream): XI. Finale "Bei des Feuers mattem Flimmern" | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe, Sandrine Piau, La Chapelle Royale, Collegium Vocale Gent, Delphine Collot | E Major | 0 | 12B | 146 BPM | ||
| Cossack Lullaby | Anonymous, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F♯ Minor | 1 | 11A | 78 BPM | ||
| Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
| Petite messe solennelle, Credo: XI. Crucifixus | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | A♭ Major | 1 | 4B | 131 BPM | ||
| Papageno Papagena (feat. Zachary Buker & Jordan Bowman) | Opera Elect, Jordan Bowman, Zachary Buker | D Major | 2 | 10B | 98 BPM | ||
| Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
| Marx: Italienisches Liederbuch: No. 17, Venetianisches Wiegenlied | Joseph Marx, Katarina Karnéus, Roger Vignoles | D♭ Major | 1 | 3B | 131 BPM | ||
| Die Zauberflöte, K.620 / Zweiter Aufzug: "O Isis und Osiris" | Wolfgang Amadeus Mozart, René Pape, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F Major | 0 | 7B | 136 BPM | ||
| Il Dolce Suono (The 5th Element) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | ||
| Mass in D Major, Op. 123, "Missa Solemnis": Sanctus: Benedictus | Ludwig van Beethoven, Lori Phillips, Robynne Redmon, James Taylor, Jay Baylon, Mary Kathryn Van Osdale, Nashville Symphony Chorus, Nashville Symphony Orchestra, Kenneth Schermerhorn | G Major | 0 | 9B | 85 BPM | ||
| Che fiero costume | Giovanni Legrenzi, Holly Bewlay, Sarah Rhee | G Minor | 1 | 6A | 107 BPM | ||
| 沙羅: 鴉 | 清水 重道, 信時 潔, 木下保, 安藤寿康, 慶應義塾ワグネル・ソサエティー男声合唱団 | F♯ Minor | 1 | 11A | 83 BPM |